Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1801 / Image Available: Available

John Constable, 1776–1837

Study of an Ash Tree

between 1801 and 1803 or between 1810 and 1830

Not on view

Joseph Mallord William Turner, 1775–1851

The Victory Returning from Trafalgar, in Three Positions

ca. 1806

Not on view

James Ward, 1769–1859

Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether

between 1801 and 1807

Not on view

Jacques-Laurent Agasse, 1767–1849

A Lady's Grey Hunter

ca. 1806

Not on view

Julius Caesar Ibbetson, 1759–1817

Lake Windermere

between 1801 and 1805

Not on view

Related to George Chinnery, 1774–1852

George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801

1801

Not on view

John Constable, 1776–1837

Mr. Hobson of Markfield and Family

ca. 1806

Joseph Mallord William Turner, 1775–1851

View of Hampton Court, Herefordshire, from the Southeast

ca. 1806

Joseph Mallord William Turner, 1775–1851

View of Hampton Court, Herefordshire, from the Northwest

ca. 1806

William Blake, 1757–1827

The Entrance Front of Hayley's House at Eartham

1801

Charles Williams, active 1796–1830

The Popular Candidate Surrounded by his Friends

1801

John Raphael Smith, 1752–1812

[Shooting] The Sportsman's Repast

1801

John Raphael Smith, 1752–1812

[Shooting] Enamour'd Sportsman

1801

William Mulready, 1786–1863

Sketch of Two Figures in an Interior: One Seated, One Standing

undated

Charles Williams, active 1796–1830

The Preliminaries of Peace

1801

Isaac Cruikshank, 1764–1811

Bloody News, Bloody News!!!

1801

Charles Williams, active 1796–1830

Foreign Amusements or the British Lion on the Watch

1801

Isaac Cruikshank, 1764–1811

The Buck & the Goose

1801

Charles Williams, active 1796–1830

The Balance of Power

1801

Charles Williams, active 1796–1830

St. Martins in an Uproar

1801

Isaac Cruikshank, 1764–1811

The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far

1801

Samuel Rawle, 1771–1860

A Remarkable Old House in Leadenhall Street

1801

Charles Williams, active 1796–1830

The Child and Champion of Jacobinism, New Christened

1801

Charles Williams, active 1796–1830

John Bull Visited With the Blessings of Peace

1801

Charles Williams, active 1796–1830

A Meeting of Monopolizers, or the Good Effect of Peace

1801

Charles Williams, active 1796–1830

The Prince of Peace Signing the Portugal Treaty

1801

Charles Williams, active 1796–1830

Northern Bears Taught to Dance

1801

Charles Williams, active 1796–1830

The Farmers Toast

1801

Charles Williams, active 1796–1830

Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast

1801

Isaac Cruikshank, 1764–1811

A Yorkshire Methode of Finding a Horse

1801

Samuel William Reynolds, 1773–1835

Coaching: The Mail Coach

1801

Isaac Cruikshank, 1764–1811

The Illustrious Lover of the D. of Cumberland Done Over

1801

Thomas Rowlandson, 1756–1827

Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest

1801

John Raphael Smith, 1752–1812

[Shooting] Enamour'd Sportsman

1801

Isaac Cruikshank, 1764–1811

The Russian Bruiser Getting his Dose - With his Seconds Thirds bottle Holder and (?) coming in for their Share

1801

Charles Tomkins, 1757–1823

Goodman's Field Theatre

1801

Thomas Rowlandson, 1756–1827

A Pier at Amsterdam

1801

James Ward, 1769–1859

Sir William Fawcett

1801

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

Woodward, Active 1801–1802

Prayers & Journals

1801-1802

James Watson, 1740–1790

Mary Bertie (née Panton) Duchess of Ancaster and Kesteven

1801

unknown artist

View of Verona

undated

Print made by Joseph Skelton, active 1820–1850

View of the Chapel and Hall of Oriel College

1801

Thomas Sully, 1783–1872

Hilly Landscape

undated

Thomas Sully, 1783–1872

Landscape Scene From Hilltop, Looking into Sunlit Valley

undated

Thomas Sully, 1783–1872

Landscape with Trees and Mountains, Lake in Foreground

undated

Thomas Sully, 1783–1872

Landscape with Trees and Lake

undated

Thomas Sully, 1783–1872

Landscape with Trees and Windmill

undated

Thomas Sully, 1783–1872

Landscape with Trees and Lake With Figures and Boat

undated

Thomas Sully, 1783–1872

Street Scene, Lined with Buildings

undated

Thomas Sully, 1783–1872

Landscape with Ruined Castle, Trees

undated

Thomas Sully, 1783–1872

Landscape with Castle, Hills and Mountains

undated

Thomas Sully, 1783–1872

Small Waterfall in Forest

undated

Thomas Sully, 1783–1872

Sloans Spring New Jersey

undated

Thomas Sully, 1783–1872

Twilight

undated

Thomas Sully, 1783–1872

Landscape, with Winding River, Figure on Hill in Foreground

undated

Thomas Sully, 1783–1872

Fort Putnam From Across the River

undated

Thomas Sully, 1783–1872

Rolling Fields, Mountains in Distance

undated

Thomas Sully, 1783–1872

Lyme Regis, Dorsetshire, a Squall

undated

Thomas Sully, 1783–1872

Tree-lined Lane

undated

Thomas Sully, 1783–1872

Two Hunters and Two Dogs in Winter Scene

undated

Thomas Sully, 1783–1872

The Hudson From Phillips

undated

Thomas Sully, 1783–1872

Landscape with Mountains, Castle, Trees and Lake

undated

Thomas Sully, 1783–1872

Horse, Cart and Driver on Wide, Tree-lined Lane

undated

Thomas Sully, 1783–1872

Ridge Road

undated

Thomas Sully, 1783–1872

Landscape with Figures in Field

undated

Thomas Sully, 1783–1872

Town Scene on River

undated

Thomas Sully, 1783–1872

Mountain Scene with Stream, Cows and Figures

undated

Thomas Sully, 1783–1872

Landscape with Canal and Lock; Figures at Lock

undated

Thomas Sully Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)

Thomas Sully, 1783–1872

Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)

undated

Thomas Sully Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)

Thomas Sully, 1783–1872

Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)

undated

Thomas Sully, 1783–1872

Two Drawings on One Sheet: Cottage with Figures in Front (no. 15); Landscape with River and Mountains - Sunshine (no. 16)

undated

Thomas Sully, 1783–1872

Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)

undated

Thomas Sully Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)

Thomas Sully, 1783–1872

Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)

undated