Lamprey, with His Owner Sir William Morgan, at Newmarket
1723
Not on view
5
John Wootton, 1682–1764
The Duke of Hamilton's Grey Racehorse 'Victorious' at Newmarket
ca. 1725
Not on view
6
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
7
Thomas Spencer, 1700–1753
Scipio, a spotted hunter, the property of Colonel Roche
ca. 1750
Not on view
8
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
9
James Seymour, 1702–1752
Sir Roger Burgoyne Riding "Badger"
1740
Not on view
10
Sadanand Vyas, active late 18th century
An Arab in the Clothes of Gujarat
undated
11
Print made by George Bickham the Elder, 1683/4–1758
Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
12
Sir Joshua Reynolds, 1723–1792
Man on Horseback
undated
13
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
14
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
15
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
16
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
17
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
18
James Seymour, 1702–1752
Studies of Stags' Heads
undated
19
James Seymour, 1702–1752
Horse Walking to Left
undated
20
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
21
James Seymour, 1702–1752
A Horse Lying Down
undated
22
James Seymour, 1702–1752
A Hound Facing Left
undated
23
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
24
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
25
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
26
Thomas Gainsborough, 1727–1788
Study of a Cow
between 1755 and 1760
27
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
28
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
29
Print made by William Wynne Ryland, 1732–1783
A Hawking Party
1765
30
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Cullen Arabian
1756
31
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Bay Bolton
1756
32
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Lamprey
1755
33
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Famous Horse Old Partner
1755
34
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Bald Charlotte
1756
35
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Crab, Late the Property of the Right Honorable Earl of Portmore
1755
36
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
37
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
38
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
39
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
40
Print made by Richard Houston, ca. 1721–1775
The Portraiture of White-Nose
1756
41
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
42
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
43
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
44
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
45
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
46
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
47
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
48
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
49
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
50
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
51
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
52
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
53
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
54
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
55
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
56
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
57
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
58
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
59
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
60
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
61
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
62
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
63
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
64
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
65
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
66
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
67
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
68
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
69
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
70
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
71
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
72
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
73
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
74
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
75
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Babraham
1756
76
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
77
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Fine Chesnut Arabian
1756
78
Print made by Richard Houston, ca. 1721–1775
Childers, the Fleetest Horse that Ever Run at Newmarket