Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
2
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
3
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
4
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
5
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
6
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
7
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
8
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
9
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
10
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
11
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
12
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
13
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
14
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
15
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
17
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
18
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
19
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'