Print made by Frantz Gabriel Fiesinger, German, 1723–1807
The Right Honorable Samuel Lord Hood
1793
2
Print made by Samuel William Reynolds, 1773–1835
James Hawkins Whitshed Esq
1799
3
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
4
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
5
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
6
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
7
Print made by William S. Leney, 1769–1831
Thomas Banks, Esqr., R.A
1794
8
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
9
Print made by William Ward, 1766–1826
A Young Lady Encouraging the Low Comedian
1787
10
Print made by Charles Turner, 1774–1857
Tiger and Crocodile
1799
11
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
12
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
13
Print made by Francis Legat, 1755–1809
King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
1790
14
Samuel William Reynolds, 1773–1835
Animals [a pair]: 1. Lioness
1799
15
Print made by Samuel William Reynolds, 1773–1835
Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
1797
16
Print made by John Murphy, ca. 1748–1820
[Animals: an eagle with a dead pheasant, watched by a fox]
1799
17
Print made by Samuel William Reynolds, 1773–1835
Vulture and Lamb
1799
18
Print made by Samuel William Reynolds, 1773–1835
Lion and Snake
1799
19
Samuel William Reynolds, 1773–1835
Animals [a pair]: 2. Tigress
1799
20
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
21
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
22
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
23
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
24
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
25
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
26
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
27
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
28
Print made by Thomas Gaugain, 1748–1812
Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
29
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
30
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
31
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
32
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
33
Print made by Thomas Gaugain, 1748–1812
Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
1796
34
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)