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Author ss after John Hamilton Mortimer, 1740–1779, British

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Joseph Haynes Monster (no.5 of 10)
Joseph Haynes, 1760–1829
Monster (no.5 of 10)
1750
Alexander Bannerman Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
Alexander Bannerman, ca. 1730–1780
Joseph Interpreting the Dreams of Pharoah's Chief Butler and Baker
1767
Richard Brookshaw Monsieur Masson the Tennis Player
Richard Brookshaw, 1736–1804
Monsieur Masson the Tennis Player
1769
John Hall Comedies
Print made by John Hall, 1739–1797
Comedies
ca. 1776
Lydia Bates A Choral Band
Print made by Lydia Bates, active 1784
A Choral Band
ca. 1777
Lydia Bates Literary Characters Assembled around the Medallion of Shakespeare
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
John Hamilton Mortimer Edgar, "King Lear", Act III, Scene III
John Hamilton Mortimer, 1740–1779
Edgar, "King Lear", Act III, Scene III
1775
John Hamilton Mortimer "Richard II", Act III, Scene II
John Hamilton Mortimer, 1740–1779
"Richard II", Act III, Scene II
1775
John Hamilton Mortimer The Poet, "A Midsummer Night's Dream", Act V, Scene I
John Hamilton Mortimer, 1740–1779
The Poet, "A Midsummer Night's Dream", Act V, Scene I
1775
John Hamilton Mortimer Bardolph, "Henry IV", Part II, Act II, Scene IX
John Hamilton Mortimer, 1740–1779
Bardolph, "Henry IV", Part II, Act II, Scene IX
1775
John Hamilton Mortimer York, "Henry IV", Part II, Act V, Scene IV
John Hamilton Mortimer, 1740–1779
York, "Henry IV", Part II, Act V, Scene IV
1775
Gabriel Scorodomoff The Ephesian Matron (laid down on same sheet as B1977.14.11653)
Gabriel Scorodomoff, 1748–1792
The Ephesian Matron (laid down on same sheet as B1977.14.11653)
1776
John Hamilton Mortimer Cassandra, "Troilus and Cressida", Act II, Scene IV
John Hamilton Mortimer, 1740–1779
Cassandra, "Troilus and Cressida", Act II, Scene IV
1776
William Wynne Ryland King John Ratifying the Magna Charta
William Wynne Ryland, 1732–1783
King John Ratifying the Magna Charta
ca. 1783
Francesco Bartolozzi Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
Francesco Bartolozzi Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
Robert Blyth Banditti...Representing Banditti Variously Employed: Enjoying Domestic Happiness
Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Enjoying Domestic Happiness
1779
Robert Blyth Silenus
Print made by Robert Blyth, 1750–1784
Silenus
1779
Robert Blyth Silenus
Print made by Robert Blyth, 1750–1784
Silenus
1779
Robert Blyth An Aga of the Janizaries
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
Valentine Green John Hamilton Mortimer, Esq.
Valentine Green, 1739–1813
John Hamilton Mortimer, Esq
1779
Robert Blyth An Aga of the Janizaries
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
Robert Blyth Banditti... Representing Banditti Variously Employed: Returning Wounded from Battle
Robert Blyth, 1750–1784
Banditti... Representing Banditti Variously Employed: Returning Wounded from Battle
1779
Robert Blyth Banditti...Representing Banditti Variously Employed: Killing an Enemy
Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Killing an Enemy
1779
Robert Blyth Banditti...Representing Banditti Variously Employed: Giving Orders in Battle
Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Giving Orders in Battle
1779
Robert Blyth Banditti...Representing Banditti Variously Employed: Stripping the Slain
Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Stripping the Slain
1779
Robert Blyth Banditti...Representing Banditti Variously Employed: Conversing with a Captive
Print made by Robert Blyth, 1750–1784
Banditti...Representing Banditti Variously Employed: Conversing with a Captive
1779
Robert Blyth Banditti Conversing
Robert Blyth, 1750–1784
Banditti Conversing
1779
Joseph Haynes Banditti and Women (no.6 of 10)
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
Robert Blyth Rustick Dance
Robert Blyth, 1750–1784
Rustick Dance
1780
Robert Blyth Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
Robert Blyth Belisarius
Print made by Robert Blyth, 1750–1784
Belisarius
1780
Charles Reuben Ryley Two Women at Toilette
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
Robert Blyth Belisarius
Print made by Robert Blyth, 1750–1784
Belisarius
1780
Joseph Haynes Saint Paul Preaching to the Britons
Joseph Haynes, 1760–1829
Saint Paul Preaching to the Britons
1780
Robert Blyth Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
Robert Blyth Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
Charles Reuben Ryley Bacchanalian with Maiden
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
Charles Reuben Ryley Monster with Maiden
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
Charles Reuben Ryley Putti Dancing to the Pipe and Tambourine
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
Robert Blyth Fisherman
Robert Blyth, 1750–1784
Fisherman
1780
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
Charles Reuben Ryley Soldier with A Pike
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
Robert Blyth Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
Robert Blyth Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
Joseph Haynes Banditti
Joseph Haynes, 1760–1829
Banditti
1780
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
Francesco Bartolozzi Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
Joseph Haynes Bandit with old man and young woman (no.2 of 10)
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
Joseph Haynes Banditti at market (no.2 of 10)
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780