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Author ss after Joseph Mallord William Turner, 1775–1851, British

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Date 1835

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1. Ashestiel

Ashestiel
Creator:
Print made by William Richardson, active 1842–1877
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Assos

Assos
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Assos

Assos
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Assos

Assos
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Babylon

Babylon
Creator:
Print made by John Cousen, 1804–1880
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Babylon

Babylon
Creator:
Print made by John Cousen, 1804–1880
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Bethlehem

Bethlehem
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Boston, Lincolnshire

Boston, Lincolnshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Boston, Lincolnshire

Boston, Lincolnshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Boulevards, Paris

Boulevards, Paris
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1835
Materials & Techniques:
Line engraving,, on steel, engraver's proof
Dimensions:
Sheet: 4 x 5 3/8in. (10.2 x 13.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Boulevards, Paris

Boulevards, Paris
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1835
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Boulevards, Paris

Boulevards, Paris
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

13. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

15. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, touched with graphite (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, early engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, touched with graphite (Later Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Later Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Bridge of St. Cloud & Sevres

Bridge of St. Cloud & Sevres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Bridge of St. Cloud & Sevres

Bridge of St. Cloud & Sevres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Bridge of St. Cloud & Sevres

Bridge of St. Cloud & Sevres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Bridge of St. Cloud and Sevres

Bridge of St. Cloud and Sevres
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

26. Bridge of St. Cloud from Sevres

Bridge of St. Cloud from Sevres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Bridge of St. Cloud from Sevres

Bridge of St. Cloud from Sevres
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Etching and engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Bridge over St. Cloud from Sevres

Bridge over St. Cloud from Sevres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, early, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Bridge over St. Cloud from Sevres

Bridge over St. Cloud from Sevres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, early
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Bridges of St. Cloud and Sevres

Bridges of St. Cloud and Sevres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, third state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Bridges of St. Cloud and Sevres

Bridges of St. Cloud and Sevres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

32. Caernarvon Castle, Wales

Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Caernarvon Castle, Wales

Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Caernarvon Castle, Wales

Caernarvon Castle, Wales
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving and etching; 3rd state on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/8 inches (27.1 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Chiefswood Cottage

Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Chiefswood Cottage

Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Chiefswood Cottage

Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 × 10 1/2 inches (40.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Château Gaillard, from the East

Château Gaillard, from the East
Creator:
Print made by John Smith, 1652–1743
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Château Gaillard, from the East

Château Gaillard, from the East
Creator:
Print made by John Smith, 1799–1843
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Château Gaillard, from the South (Vignette Title)

Château Gaillard, from the South (Vignette Title)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving on steel on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/8 × 5 1/8 inches (21.3 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 6 1/2 inches (25.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving on steel
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

53. Damon and Pythias

Damon and Pythias
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Dismantling of the Temple of Jupiter, Aegina

Dismantling of the Temple of Jupiter, Aegina
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Dismantling of the Temple of Jupiter, Aegina

Dismantling of the Temple of Jupiter, Aegina
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Dudley, Worcestershire

Dudley, Worcestershire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1835
Materials & Techniques:
Etching, open etched state
Dimensions:
Sheet: 6 3/8 x 9 3/8in. (16.2 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Dudley, Worcestershire

Dudley, Worcestershire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1835
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 × 15 inches (27.5 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Egypt, the Pyramids of Ghizeh

Egypt, the Pyramids of Ghizeh
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Field of Waterloo

Field of Waterloo
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Field of Waterloo (with Lightning)

Field of Waterloo (with Lightning)
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Field of Waterloo with Lightning

Field of Waterloo with Lightning
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Fire at Sea

Fire at Sea
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/16 × 11 1/16 inches (40.8 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Fire at Sea (vignette)

Fire at Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Fire at Sea (vignette)

Fire at Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837

Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Mount: 11 3/16 × 15 1/4 inches (28.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837

Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/4 × 6 9/16 inches (23.5 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Fontainbleau

Fontainbleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, (First Published State) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Fontainebleau

Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 1/4 × 8 5/8 inches (33.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Fontainebleau

Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Fountainebleau

Fountainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. HMS Bellerophon, Plymouth Sound

HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. HMS Bellerophon, Plymouth Sound

HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 5 3/4 inches (20.3 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. HMS Bellerophon, Plymouth Sound (Vignette Title)

HMS Bellerophon, Plymouth Sound (Vignette Title)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 4 1/8 inches (17.1 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Hotel de Ville and Pont d'Arcole

Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Hotel de Ville and Pont d'Arcole

Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Hotel de Ville and Pont d'Arcole

Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Hotel de Ville and Pont d'Arcole

Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

80. Jericho

Jericho
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Jerusalem from the Mount of Olives

Jerusalem from the Mount of Olives
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Jerusalem, Pool of Bethesda

Jerusalem, Pool of Bethesda
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Jerusalem, Pool of Bethesda

Jerusalem, Pool of Bethesda
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Jerusalem, with the Walls

Jerusalem, with the Walls
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Joppa

Joppa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving and graphite, touched engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Joppa

Joppa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Lebanon from Tripoli

Lebanon from Tripoli
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Lebanon from Tripoli

Lebanon from Tripoli
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Line engraving, first state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Ludlow Castle - Rising of the Water - Nymphs

Ludlow Castle - Rising of the Water - Nymphs
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Ludlow Castle - Rising of the Water-Nymphs

Ludlow Castle - Rising of the Water-Nymphs
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 8 5/8 inches (33.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/8 × 10 7/8 inches (41 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

97. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, third state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (finished, without any lettering)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (unfinished)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Marche aux Fleurs and Pont-au-Change

Marche aux Fleurs and Pont-au-Change
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection