<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Date 1765

Remove constraint Date: 1765

Subject Terms trees

Remove constraint Subject Terms: trees

Search Results

Oxcart in the Grotto at Posillipo
Creator:
William Marlow, 1740–1813
Date:
ca. 1770
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 10 5/8 x 14 13/16in. (27 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Ride Without a Bridle
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Hand-colored etching on thick beige card
Dimensions:
Sheet: 12 1/2 x 9 5/8 inches (31.7 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Untitled
Creator:
William Byrne, 1743–1805
Date:
1765
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 3/8 inches (38.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
Blickling Hall, Norwich
Creator:
unknown artist
Date:
ca. 1770
Materials & Techniques:
Watercolor with pen and brown ink on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 x 24 5/8 inches (47.9 x 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Launce Teaching His Dog Crab
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Falstaff Carrying Dead Hotspur
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Paper Mill at Rickmansworth
Creator:
Attributed to Robert Udney, 1740–1808
Date:
between 1765 and 1781
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 17 1/4 inches (29.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Ride without a Bridle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 7 1/8in. (22.2 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carter Filling his Pipe
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor and crayon on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 15 1/4 inches (29.2 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Patience in a Punt
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 8 1/16 × 12 1/2 inches (20.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
Creator:
Benjamin West, 1738–1820
Date:
between 1765 and 1766
Materials & Techniques:
Graphite, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/8 x 8 1/4 inches (25.7 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1770
Materials & Techniques:
Black chalk, white chalk, gray wash and stumping on thin, slightly textured, light blue laid paper
Dimensions:
Sheet: 10 1/2 x 13 inches (26.7 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund and Iola S. Haverstick Fund
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
Creator:
Benjamin West, 1738–1820
Date:
between 1765 and 1766
Materials & Techniques:
Gray wash and black ink with scratching out on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 8 1/16 inches (25.2 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ludlow Castle
Creator:
Samuel Scott, 1701/2–1772
Date:
between 1765 and 1769
Materials & Techniques:
Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border
Dimensions:
Sheet: 18 3/8 x 35 1/2 inches (46.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
River and Boat
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1770
Materials & Techniques:
Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 6 1/2 inches (13 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Shepherd and Sheep
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1765 and 1770
Materials & Techniques:
Pen and brown ink with black and gray wash, heavily varnished on medium, slightly textured, cream laid paper, laid down on laid paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Woodland Pool with Rocks and Plants
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1765 and 1770
Materials & Techniques:
Watercolor, black and white chalk, and oil paint, with gum on medium, slightly textured, cream laid paper, backed with laid paper
Dimensions:
Sheet: 9 x 11 3/8 inches (22.9 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travellers on Horseback Approaching a Village with a Spire
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1765 and 1770
Materials & Techniques:
Watercolor over black chalk and gum on medium, slightly textured, cream laid paper, laid down on (laminated wove paper) card
Dimensions:
Sheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coastal Scene with Wooded Cliff
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1770
Materials & Techniques:
Black ink, graphite, brown wash, gray wash, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, beige laid paper
Dimensions:
Mount: 9 7/8 x 13 5/8 inches (25.1 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection