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Date 1780

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unknown artist [ man with a candle ]
unknown artist
[ man with a candle ]
178-?
Searles, Michael, fl. 1779-1781. [Artificial slate roofs].
Searles, Michael, fl. 1779–1781
[Artificial slate roofs]
178-?]
 [Claude glass].
[Claude glass]
[ca. 1780?]
Stothard, Thomas, 1755-1834. [Collection of engraved book illustrations by Thomas Stothard].
Stothard, Thomas, 1755–1834
[Collection of engraved book illustrations by Thomas Stothard]
[1780-1825]
 [Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield].
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]
 [Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield].
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]
 [Pattern book for English knife and fork handles].
[Pattern book for English knife and fork handles]
[ca. 1780?]
Julius Tidd A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
James Gillray A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
Priestley, Joseph, 1733-1804. A familiar introduction to the theory and practice of perspective /
Priestley, Joseph, 1733–1804
A familiar introduction to the theory and practice of perspective
1780
Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Remi Parr, active 1723–1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
Joseph Wright of Derby A Grotto in the Gulf of Salerno, Sunset
Joseph Wright of Derby, 1734–1797
A Grotto in the Gulf of Salerno, Sunset
1780 to 1781
Not on view
William Dickinson A Lady and Children
Print made by William Dickinson, 1746–1823
A Lady and Children
1780
John Raphael Smith A Lady at Haymaking
Print made by John Raphael Smith, 1752–1812
A Lady at Haymaking
1780
Joseph Wright of Derby A Lake by Moonlight
Joseph Wright of Derby, 1734–1797
A Lake by Moonlight
1780 to 1782
Not on view
Richard Westall A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
undated
George Romney A Man Called Mr. Cross
George Romney, 1734–1802
A Man Called Mr. Cross
ca. 1785
Not on view
John Raphael Smith A Man-Trap
Print made by John Raphael Smith, 1752–1812
A Man-Trap
c.1780
Daniel Lerpiniere A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards
Daniel Lerpiniere, c.1745–1785
A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards
1780
Thomas Luny A Packet Boat Under Sail in a Breeze off the South Foreland
Thomas Luny, 1759–1837
A Packet Boat Under Sail in a Breeze off the South Foreland
1780
Not on view
Thomas Bowles A Perspective View of the Town and Fortifications of Malta
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
John Bowles A Perspective View of Venice
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
Thomas Bowles A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
James Bretherton A Riding-House
Print made by James Bretherton, ca. 1730–1806
A Riding-House
1780
 A Select collection of poems :
A Select collection of poems
1969
Irwin, Eyles, 1751?-1817. A series of adventures in the course of a voyage up the Red-Sea, on the coasts of Arabia and Egypt :
Irwin, Eyles, 1751?-1817
A series of adventures in the course of a voyage up the Red-Sea, on the coasts of Arabia and Egypt
1780
J. Carwitham A South-East View of the City of Boston in North America
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
Thomas Bowles A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
Thomas Bowles A View of Little St. Mark's Place at Venice to the Sea
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
unknown artist A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
unknown artist
A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
1780
Thomas Bowles A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
unknown artist A View of Rotterdam, and the River Maese with Variety of Shipping
unknown artist
A View of Rotterdam, and the River Maese with Variety of Shipping
between 1780 and 1815
unknown artist A View of the City of Oporto
unknown artist
A View of the City of Oporto
between 1780 and 1815
Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
unknown artist A View of the Palace of Triano towards the Flower Garden
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
unknown artist A View of the Ruins of the Temple of Jupiter Olympius at Athens
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
John Hoppner A Young Man with a Horse, with Studies of Hounds and Dead Hare
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
James Gillray Ah, Grant A Me Von Letel Bite
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
unknown artist Alcibiades and Timon
unknown artist
Alcibiades and Timon
undated
Isaac Weld American Stage Wagon
Isaac Weld, 1774–1856
American Stage Wagon
undated
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
Sir Joseph Ayloffe An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
Richard Westall An Apple Tree Near a Cottage
Richard Westall, 1765–1836
An Apple Tree Near a Cottage
undated
Thomas Rowlandson An Audience Watching a Play at Drury Lane Theatre
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
Thomas Rowlandson An English Postilion
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785