N. W. Aspect of Lackington, Allen & Co.'s Temple of the Muses, Finsbury Square
1789
317
John S. Muller, ca. 1715–1792
A View of the Temple of Comus & c. in Vauxhall Gardens
ca. 1794
318
Robert Acon, 1792-1880
St. Jame's, Garrick Hill
undated
319
Francesco Bartolozzi, 1728–1815
Hermes And Muses
1789
320
Francesco Bartolozzi, 1728–1815
Doctor Willis
1789
321
Print made by Richard Earlom, 1743–1822
Giovanni Battista Cipriani, Esqr. R. A
1789
322
Francesco Bartolozzi, 1728–1815
The Meeting Of Edward V And His Brother, The Duke Of York
1789
323
Francesco Bartolozzi, 1728–1815
July
1789
324
Francesco Bartolozzi, 1728–1815
June
1789
325
Isaac Cruikshank, 1764–1811
The Freemen Triumphant or the Mare Foald or Here Folly
1789
326
John Raphael Smith, 1752–1812
The Lady in Milton's Comus
1789
327
John Raphael Smith, 1752–1812
The Indian Widow
1789
328
George Chinnery, 1774–1852
A Man throwing a Ball to a Dog
undated
329
unknown artist
A View of the Bastille at Paris, the Gate of St. Anthony , & the adjacent Suburbs
1789
330
John Bodger, Active 1770–1821
Carriage Match: This Print or View of the Carriage Match &c. is Honoured with the Patronage of his Royal Highness George Prince of Wales & the Noblemen & Gentlemen Members of the Jockey Club &c. ..
1789
331
after James Heath, 1757–1834
Archery
1789
332
unknown artist
George III's Visit to Portsmouth
ca. 1794
333
James Basire, 1730–1802
Distribution of His Majesty's Maundy Ante Chapel at Whitehall
1789
334
James Sayer, 1748–1823
Untitled (Seated Barrister)
1789
335
James Sayer, 1748–1823
Neddy's Black Box, Containing what he does not value Three Shipps of a Louse
1789
336
James Sayer, 1748–1823
To be seen at Mr J------n's Menagerie-----
1789
337
James Sayer, 1748–1823
The Rights of the People, a Mis-Fire-at the Consitution ____
1789
338
Francesco Bartolozzi, 1728–1815
Genius Calling Forth The Fine Arts To Adorn Manufactures and Commerce
1789
339
Thomas Rowlandson, 1756–1827
Suitable Restrictions
1789
340
Thomas Rowlandson, 1756–1827
A New Speaker - The Wedding Night
1789
341
Thomas Rowlandson, 1756–1827
The Minister Casting Up His Accounts
1789
342
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
343
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
344
Print made by Isaac Cruikshank, 1764–1811
The New Birth
1789
345
James Gillray, 1756–1815
The English Regency
1789
346
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
347
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
348
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
349
Francesco Bartolozzi, 1728–1815
Perseus Having Rescued Andromeda From Imminent Danger, Is Enamoured With Her Beauty
1789
350
William Angus, 1752–1821
Holland House in Middlesex, the seat of Lord Holland
1789
351
unknown artist
A View of the Thames from Rotherhithe Stairs
1789
352
unknown artist
Handbill of Bermondsey Spa Gardens
1789
353
William Birch, 1755–1834
The Garden Front at Kenwood
1789
354
William Birch, 1755–1834
Golders Green
1789
355
Robert Dodd, 1748–1816
This View of Queen Square
1789
356
James Newton, 1748–c. 1804
A View of the Ancient Palace called Placentia, in East Greenwich
1789
357
Robert Pollard, 1755–1838
This View of Grosvenor Square
1789
358
Print made by unknown artist
The Restricted Regency
1789
359
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
360
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
361
Print made by Isaac Cruikshank, 1764–1811
Les Sacrefices Forces
1789
362
unknown artist
View of Tenby Town & Harbour
1789
363
Print made by unknown artist
Plan of Mud Island, off the Kingdom of Corsica
ca. 1794
364
unknown artist
The Royal Duel
1789
365
unknown artist
Opening the Sluices or the Secret Expedition
1789
366
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
367
James Heath, 1757–1834
Balessan
1789
368
James Heath, 1757–1834
Kantutta 1789
1789
369
James Heath, 1757–1834
Ergett Dimmo 1789
1789
370
James Heath, 1757–1834
Ergett el Krome 1789
1789
371
James Heath, 1757–1834
Ensete 1789
1789
372
James Heath, 1757–1834
Ensete 1789
1789
373
James Heath, 1757–1834
Cusso or Banksia Abissinica 1789
1789
374
James Heath, 1757–1834
Kolquall 1789
1789
375
James Heath, 1757–1834
Flower of the Banskia Abissinica 1789
1789
376
James Heath, 1757–1834
Wanzey
1789
377
James Heath, 1757–1834
Kuara 1789
1789
378
James Heath, 1757–1834
Farek 1789
1789
379
James Heath, 1757–1834
Rack 1789
1789
380
William Woollett, 1735–1785
The Scene Before Gilbraltar on the Morning of 14th September 1782
1789
381
Thomas Ryder, 1746–1810
Henry Bunbury, Esq
1789
382
James Heath, 1757–1834
Sassa 1789
1789
383
Print made by Francesco Bartolozzi, 1728–1815
Winter
1789
384
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
385
Francesco Bartolozzi, 1728–1815
Love and Fortune
1789
386
Peter Simon, 1750–1810
The Interview of Tom Jones and Sophia, After the Reconciliation
1789
387
Thomas Malton the Younger, 1748–1804
Hall's Library at Margate
1789
388
Francesco Bartolozzi, 1728–1815
Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes
1789
389
Francesco Bartolozzi, 1728–1815
The Heroism of Prince Edward, Son of Henry VI
1789
390
John Scott, 1774–1828
Campden House
undated
391
Print made by R. Clamp, fl.1789–1798
William Sommers, King Henry VIII's Jester
undated
392
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
393
Francesco Bartolozzi, 1728–1815
Lady Charlotte Smith and her Children; George Henry, Louisa and Charlotte