Date: 1833 / Image Available: Available - YCBA Collections Search Search Results

1. Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1833 and 1834
Materials & Techniques:: Oil on canvas
Dimensions:: 35 5/8 x 47 9/16 inches (90.5 x 120.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Boat Building near Dinan, Brittany

Creator:: Francis Danby, 1793–1861
Date:: ca. 1838
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 9 1/4 x 11 3/4 inches (23.5 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Wooded Landscape

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1833
Materials & Techniques:: Oil on artist's board mounted on panel
Dimensions:: 16 1/2 x 12 3/8 inches (41.9 x 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Interior of the British Institution (Old Master Exhibition, Summer 1832)

Creator:: Alfred Joseph Woolmer, 1805–1892
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/4 x 36 1/4 inches (71.8 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. 'Margrave' with James Robinson Up

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 26 x 38 inches (66 x 96.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The English Brig 'Norval' before the Wind

Creator:: William Clark, 1803–1883
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 19 7/8 x 29 5/8 inches (50.5 x 75.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Suffolk Hunt: Going to Cover near Herringswell

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Suffolk Hunt : The Death

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. William Massey-Stanley driving his Cabriolet in Hyde Park

Creator:: John Ferneley, 1782–1860
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 43 1/2 x 62 1/2 inches (110.5 x 158.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Suffolk Hunt: Gone Away

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The Suffolk Hunt: Full Cry

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Chichester Cathedral

Creator:: Joseph Francis Gilbert, 1792–1855
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 24 9/16 x 37 7/16 inches (62.4 x 95.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off

Creator:: William Daniell, 1769–1837
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 27 x 42 inches (68.6 x 106.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Waterloo

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Dolwyddelan

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Prize Cattle in a Landscape

Creator:: Thomas Weaver, 1774–1843
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 28 × 36 inches (71.1 × 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of John A. Robbins in memory of Faith Robbins
On View:: Not on view

17. View from Mr. Southey's House, Keswick

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. St. Michael's Mount, Cornwall

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. The Well of St. Keyne

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. The Summer Bower, Derwent Water

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. The Colonnade of Queen Mary Court, Greenwich

Creator:: James Holland, 1799–1870
Date:: 1833
Materials & Techniques:: Oil on panel
Dimensions:: 9 7/8 × 14 1/8 inches (25.1 × 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. A Greek Boxer Waiting His Turn

Creator:: Joseph Gott, 1786–1860
Date:: ca. 1838
Materials & Techniques:: Marble
Dimensions:: Overall: 20 1/2 x 16 1/2 x 9 1/2 inches (52.1 x 41.9 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

23. The Weald of Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Study for "The Shearers"

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Frame: 19 5/16 × 15 7/8 × 1 1/16 inches (49 × 40.3 × 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Timber Wain

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. None

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

27. The Distressed Poet

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

28. The Invasion, Plate II, England

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

29. The Invasion, Plate II, England

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

30. Marriage à la Mode, Plate I, The Contract

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

31. Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

32. Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

33. Country Inn Yard

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

34. Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

35. Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

36. Tours - Looking Backward

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

37. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, rough, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Principal plan of a proposed New House of Commons, by Adam Lee

Creator:: unknown artist
Date:: 1833
Dimensions:: Sheet: 15 3/8 x 11 3/4in. (39.1 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham, Jr.

39. Dover

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Street Scene in Granada on the Day of the Bullfight

Creator:: John Frederick Lewis, 1804–1876
Date:: 1833
Materials & Techniques:: Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 11 3/8 inches (43.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Bryant Edward Duffay, 1833, Oct. 19th

Creator:: Bryant Edward Duffay
Date:: 1833
Materials & Techniques:: Graphite, black chalk, and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 13 5/16 × 9 5/16 inches (33.8 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Westminster Bridge and the Abbey

Creator:: Thomas Hollis, 1818–1843
Date:: 1833
Materials & Techniques:: Watercolor over graphite with some scraping on wove paper
Dimensions:: Sheet: 4 1/2 x 8 7/8in. (11.4 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Burial of Sarah

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown ink and brown wash on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 13/16 inches (9.8 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Scene from Quentin Durward

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Château d'Ecouen

Creator:: William Callow, 1812–1908
Date:: 1833
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Old Double Bridge, Bury St. Edmunds

Creator:: James Ward, 1769–1859
Date:: 1833
Materials & Techniques:: Brown and gray wash over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Henstridge Church, 23 August 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/8 inches (17.5 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Luxor, Paris, December 1833

Creator:: William Callow, 1812–1908
Date:: 1833
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 9 5/16 inches (32.7 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Tomb of Cecilia Metella, Rome

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1833

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1. Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore

2. Boat Building near Dinan, Brittany

3. A Wooded Landscape

4. Interior of the British Institution (Old Master Exhibition, Summer 1832)

5. 'Margrave' with James Robinson Up

6. The English Brig 'Norval' before the Wind

7. The Suffolk Hunt: Going to Cover near Herringswell

8. The Suffolk Hunt : The Death

9. William Massey-Stanley driving his Cabriolet in Hyde Park

10. The Suffolk Hunt: Gone Away

11. The Suffolk Hunt: Full Cry

12. Chichester Cathedral

13. Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off

14. Waterloo

15. Dolwyddelan

16. Prize Cattle in a Landscape

17. View from Mr. Southey's House, Keswick

18. St. Michael's Mount, Cornwall

19. The Well of St. Keyne

20. The Summer Bower, Derwent Water

21. The Colonnade of Queen Mary Court, Greenwich

22. A Greek Boxer Waiting His Turn

23. The Weald of Kent

24. Study for "The Shearers"

25. The Timber Wain

26. None

27. The Distressed Poet

28. The Invasion, Plate II, England

29. The Invasion, Plate II, England

30. Marriage à la Mode, Plate I, The Contract

31. Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute

32. Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute

33. Country Inn Yard

34. Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London

35. Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice

36. Tours - Looking Backward

37. Havre

38. Principal plan of a proposed New House of Commons, by Adam Lee

39. Dover

40. A Street Scene in Granada on the Day of the Bullfight

41. Bryant Edward Duffay, 1833, Oct. 19th

42. Westminster Bridge and the Abbey

43. The Rescue of Lot

44. Burial of Sarah

45. Scene from Quentin Durward

46. Château d'Ecouen

47. The Old Double Bridge, Bury St. Edmunds

48. Henstridge Church, 23 August 1833

49. The Luxor, Paris, December 1833

50. Tomb of Cecilia Metella, Rome