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Going to the Hayfield
Creator:
David Cox, 1783–1859
Date:
1853
Materials & Techniques:
Oil on millboard
Dimensions:
10 x 13 1/4 inches (25.4 x 33.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Snowdon, an Approaching Storm
Creator:
James Ward, 1769–1859
Date:
1853
Materials & Techniques:
Gray wash with pen and brown ink and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 x 12 3/4 inches (17.1 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coastal Landscape
Creator:
Frank W. Warwick Topham, 1838–1924
Date:
undated
Materials & Techniques:
Watercolor, gouache and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 x 21 5/8 inches (38.1 x 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Margate, Great Cloud
Creator:
George Richmond, 1809–1896
Date:
1853
Materials & Techniques:
Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 7 1/8 inches (14.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alicante, Spain
Creator:
Harry John Johnson, 1826–1884
Date:
1853
Materials & Techniques:
Graphite and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 × 16 3/4 inches (20.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fort Snelling
Creator:
Godfrey Thomas Vigne, 1801–1863
Date:
1853
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 14 7/8 inches (23.2 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Loch Achray (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1853 reprint
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 4 7/8 inches (20.3 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Windmill
Creator:
Cornelius Varley, 1781–1873
Date:
1853
Materials & Techniques:
Watercolor on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 5/8 x 12 1/4 inches (16.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953
Sketch for the Passions: Love
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ganesha Ratha, Mamallapuram
Creator:
unknown artist
Date:
ca. 1858
Materials & Techniques:
Albumenized salted paper print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
The Lone Pine Tree
Creator:
Horatio Ross, 1801–1886
Date:
ca. 1858
Materials & Techniques:
Waxed paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 13 3/4 × 11 inches (34.9 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro in honor of Amy Meyers
The Lone Pine Tree
Creator:
Horatio Ross, 1801–1886
Date:
ca. 1858
Materials & Techniques:
Albumen print from waxed paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro in honor of Amy Meyers
Descent of the Ganges, Mamallapuram
Creator:
unknown artist
Date:
ca. 1858
Materials & Techniques:
Albumenized salted paper print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
Study of Foreground near Betws-y-Coed
Creator:
Henry White, 1819–1903
Date:
ca. 1858
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/4 inches (17.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro