Period: 18th century / Image Available: Available / Classification: Prints

John Neagle, 1796–1865

"-the Stag repells each bold assault."

1796

Pierre Charles Canot, ca. 1710–1777

"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana

1758-1760

William Blake, 1757–1827

"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

1797

unknown artist

"Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"

1785

Francis Legat, 1755–1809

"King Lear", Act V, Scene III

1792

William Woollett, 1735–1785

"Maid of the Mill"

ca. 1765

Garnet Terry, active 1780–1796

"Mr. John Farley" Cook at the London Tavern

undated

John Hamilton Mortimer, 1740–1779

"Richard II", Act III, Scene II

1775

William Blake, 1757–1827

"The Book of Thel William Blake Original Wrappers 1789"

1789

James Gillray, 1756–1815

"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar

1797

Robert Dodd, 1748–1816

"The Indian Emperor" or "The Conquest of Mexico"

1792

William Blake, 1757–1827

"There is No Natural Religion", London, by William Blake

ca. 1788

James Gillray, 1756–1815

"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain

1798

William Blake, 1757–1827

"Visions of the Daughters of Albion", London, by William Blake

1793

Isaac Cruikshank "Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )

Isaac Cruikshank, 1764–1811

"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )

1784

John Kay, 1742–1826

"Why, Sir John, my face does you no harm..."

1789

unknown artist

'A Mapp of St. Andrews Holborn Parish...'

undated

unknown artist

'A Mapp of the Parish of St. Anns'

undated

George Townly Stubbs, 1748–1815

'Anvil'

1794

George Vertue, 1684–1756

'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'

1750

George Townly Stubbs, 1748–1815

'Baronet'

1794

George Townly Stubbs, 1748–1815

'Baronet'

1794

George Townly Stubbs, 1748–1815

'Dungannon'

1794

William Pether, ca. 1738–1821

'Gimcrack'

1766

George Townly Stubbs, 1748–1815

'Mambrino'

1794

John Hamilton Mortimer, 1740–1779

'Poet, from A Midsummer Night's Dream, Act V, Scene i'

1775

George Townly Stubbs, 1748–1815

'Protector'

1794

George Townly Stubbs, 1748–1815

'Pumpkin'

1794

George Townly Stubbs, 1748–1815

'Sweetbrier'

1794

George Townly Stubbs, 1748–1815

'Sweetwilliam'

1796

George Townly Stubbs, 1748–1815

'Sweetwilliam'

1796

James Fittler, 1758–1835

'The Gamester,' Act V, Scene IV

1792

George Townly Stubbs, 1748–1815

'Volunteer'

1794

Attributed to Thomas Rowlandson, 1756–1827

(The) A Grand Battle between the Famous English Cock and Russian Hen!

1791

Thomas Rowlandson, 1756–1827

(The) This Irish Ambassadors Extraordinary a Gallante(e) Show

1789

James Gillray, 1756–1815

-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child

1798

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

1778

John Rocque, 1704?–1762

...Plan of Windsor Park

1738

Francesco Bartolozzi, 1728–1815

...Scuote, il Lembo Pieno; e Nella Torbida Onda..

1773

Charles Loraine Smith 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

Charles Loraine Smith, 1751–1835

1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ..

1792

Pierre Charles Canot, ca. 1710–1777

1. Going Out / Depart de Chasse

1770

Charles Catton the elder RA, 1728–1798

1. Partridge Shooting

1789

T. Simpson, active 1790–1814

2. Hare Shooting

1790

Pierre Charles Canot, ca. 1710–1777

2. Two Hunters / Deux Chevaux de Chasse

1770

Charles Loraine Smith, 1751–1835

2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]

1792

T. Simpson, active 1790–1814

3. Duck Shooting

1790

Charles Loraine Smith, 1751–1835

3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball

1792

Pierre Charles Canot, ca. 1710–1777

3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste

1770

Charles Loraine Smith, 1751–1835

4. Lecture / Philosophical remarks upon the Nature & effects of Amputation

1792

J. Wells, active 1780–1791

4. Snipe Shooting

1789

Pierre Charles Canot, ca. 1710–1777

4. The Earthing of the Fox / Renard dans son Terrier

1770

Pierre Charles Canot, ca. 1710–1777

5. Coming at the Death / Halte de Chasse

1770

Pierre Charles Canot, ca. 1710–1777

6. The Death of the Fox / Mort du Renard

1770

Pierre Charles Canot, ca. 1710–1777

7. Returning from the Chase / Retour de Chasse

1770

unknown artist

[ man with a candle ]

178-?

unknown artist

[ The Desponding Hero of the Coldstream ]

1790

James Gillray, 1756–1815

[ untitled ]

1800

Engraved by Richard Earlom, 1743–1822

[A Soft Tumble after a Hard Ride]

ca. 1790

Print made by John Murphy, ca. 1748–1820

[Animals: an eagle with a dead pheasant, watched by a fox]

1799

George Morland, 1763–1804

[Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left

1794

unknown artist

[Black-Fryers] Bridge

1795

William Ward, 1766–1826

[Fox-hunting] Outside of a Country Alehouse

1797

George Townly Stubbs, 1748–1815

[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...

1792

William Elliot, active 1774, died 1792

[Horse-racing] Set of six: 1.The Cullen Arabian &c

1758

William Elliot, active 1774, died 1792

[Horse-racing] Set of six: 2. Brood Mares with their Foles

1758

William Elliot, active 1774, died 1792

[Horse-racing] Set of six: 3. Catching the Colts

1758

William Elliot, active 1774, died 1792

[Horse-racing] Set of six: 4. Subduing Shoeing, the Cavison and Pillar

1758

William Elliot, active 1774, died 1792

[Horse-racing] Set of six: 5. Bridling, Sadling, Breaking, & Training

1758

William Elliot, active 1774, died 1792

[Horse-racing] Set of six: 6. 'Finish'd Horses / Match'em & Trajan Runing at New-market'

1758

George Townly Stubbs, 1748–1815

[Lion and Horse]

1770

Barker, Robert, 1739–1806

[London from the roof of the Albion Mills]

1792-1793

William Ward, 1766–1826

[No. 5] Prints / of the / Improved British Cattle: Holderness Cow / Taken from His Majesty's Stock at Windsor

1798

unknown artist

[One of a ] Set of 12 engravings

ca. 1760

unknown artist

[One of a ] Set of 12 engravings

ca. 1760

Joseph Sympson, active 1725–died 1736

[Racing] Set of four: (3) View of the Noblemens and Gentlemens Running Horses

ca. 1725

Benjamin Green, ca. 1736–ca. 1800

[Shooting] 'Phillis', a Pointer of Lord Clermonts

1772

William Woollett, 1735–1785

[Shooting] The Spanish Pointer

1768

William Woollett, 1735–1785

[Shooting] The Spanish Pointer

1768

Samuel William Reynolds, 1773–1835

[Shooting]: Setters

1799

William Ward, 1766–1826

[The Sportsman's Return]

ca. 1791

Rowlandson, Thomas, 1756–1827

[Transparent prints]

[1799]

John Raphael Smith, 1752–1812

A Bachante (Emma Hart, later Lady Hamilton)

1784

Charles Knight, 1743–c.1826

A Band of Savoyards

1785

unknown artist

A Barbers Examination

1795

unknown artist

A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens

1791