Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire
1749
Not on view
6
Sir Peter Francis Bourgeois, 1756–1811
Coastal Landscape with a Ferry Boat
1796
Not on view
7
John Laguerre, 1688–1746
Hob's Defence
ca. 1725
Not on view
8
unknown artist
Lady Jane Mathew and Her Daughters
ca. 1790
Not on view
9
Thomas Gainsborough, 1727–1788
Wooded Landscape with a Man Talking to Two Seated Women
ca. 1745
Not on view
10
Marcellus Laroon the Younger, 1679–1772
Scene in a park, with figures from the Commedia dell'Arte
ca. 1735
Not on view
11
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
12
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
13
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
14
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
15
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
16
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
17
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
18
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
19
Paul Sandby, 1731–1809
Two Girls Carrying a Basket
undated
20
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
21
Print made by Lydia Bates, active 1784
A Choral Band
ca. 1777
22
Francis Wheatley, 1747–1801
An Old Fisherwoman with Two Women Digging for Bait
undated
23
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
24
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
25
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
26
Print made by Johann Jacobus Haid, 1704–1767
Uxor Zelotypa
undated
27
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
28
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire