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1. Siena

Siena
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 7 5/8 inches (34 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Horse of Ostend
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1921
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 10 3/4 inches (21.2 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Early Spring, Gloucestershire
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1922
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Belgian Set: Damme [No. 5]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 8 1/4 inches (29.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Zoutelande
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1929
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 9 7/16 x 7 5/16 inches (24 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
L'Eglise Saint-Vaast, Armentieres
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1928
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.4 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Ratisbonne
Creator:
Print made by François-Séraphin Delpech, 1778–1825
Date:
between 1818 and 1825
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund
Porch at Wilton House designed by Hans Holbein
Creator:
John Buckler FSA, 1770–1851
Date:
1804
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South Gate, Exeter
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harrow-on-the-Hill, Middlesex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1794
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection