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1
- Bacchanalian Scene (Possibly Antediluvian)
- undated
2
- Sketches for "The Accusation of Susanna"
- undated
3
- The Accusation of Susanna
- ca. 1773
4
- David before Saul
- undated
5
- Mythological Group of Women and Children
- undated
6
- David Playing the Harp
- undated
7
- The Accusation of Susanna by the Elders
- undated
8
- Jerusalem, Plate 31, "His western heaven...."
- 1804 to 1820
9
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
10
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
11
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
12
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
13
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
14
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
15
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
16
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
17
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
18
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
19
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
20
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
21
- Jerusalem, Plate 21, "O Vala! O Jerusalem...."
- 1804 to 1820
22
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
23
- Jerusalem, Plate 24, "What have I said?...."
- 1804 to 1820
24
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
25
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
26
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
27
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
29
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
33
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
34
- America. A Prophecy, Plate 17, "On Albions Angels...."
- 1793
35
- America. A Prophecy, Plate 2, Title Page
- 1793
36
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
37
- The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
- 1789
38
- Europe. A Prophecy, Plate 13 (Bentley 10)
- 1794
39
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
40
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
41
- America. A Prophecy, Plate 1, Frontispiece
- 1793
42
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
43
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
44
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 25, "A Long Story."
- between 1797 and 1798
46
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
48
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
49
- Jerusalem, Plate 13, "And that toward Eden...."
- 1804 to 1820
50
- Jerusalem, Plate 18, "From every-one of the Four Regions...."
- 1804 to 1820