Collection: Prints and Drawings / Genre: landscape and literary theme

301. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. The Fatal Bellman

Creator:: Print made by George Richmond, 1809–1896
Date:: 1827
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

303. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Loch Lommond

Creator:: Print made by M. H. Long
Date:: 1884
Materials & Techniques:: Lithography (hand coloring)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. The Parting of Hero and Leander

Creator:: Samuel Bradshaw, 1830–1869
Date:: ca. 1861
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Camp Hill, Hastings

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Whitby

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Ehrenbreitstein (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Camp Hill, Hastings

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Ehrenbreitstein (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Whitby

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Castle of Udolpho

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

313. Scene from the Inferno Dramatic Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, black wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 7/8 inches (16.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

314. Study for the Damned

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, black wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 7/8 inches (16.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

315. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:: Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

316. Sketch for the Passions: Love

Creator:: Richard Dadd, 1817–1886
Date:: 1853
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:: Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

317. Shakespearean Scene (?): A Pilgrim

Creator:: Joseph Farington, 1747–1821
Date:: 1796
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper
Dimensions:: Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

318. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. The Golden Bough

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. The Bay of Baiae, Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Italy - Childe Harold's Pilgrimage

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1861
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 30 1/4 inches (52.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Aesacus and Hesperie

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. The Golden Bough

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Italy - Childe Harold's Pilgrimage

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 × 24 inches (35.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Loch Achray, The Trosacks Benvenue

Creator:: Print made by J. Gellatly
Date:: ca. 1851
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Graphite and watercolor on textured, thick, beige wove paper
Dimensions:: Sheet: 13 13/16 × 20 3/4 inches (35.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Olney Church

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. The Peasant's Nest

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. The Elms

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Views from the Alcove

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Olney Bridge

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Collection Prints and Drawings

Genre landscape

Genre literary theme

Search Results

301. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

302. The Fatal Bellman

303. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

304. Loch Lommond

305. The Parting of Hero and Leander

306. Camp Hill, Hastings

307. Whitby

308. Ehrenbreitstein (Vignette)

309. Camp Hill, Hastings

310. Ehrenbreitstein (Vignette)

311. Whitby

312. Castle of Udolpho

313. Scene from the Inferno Dramatic Landscape

314. Study for the Damned

315. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

316. Sketch for the Passions: Love

317. Shakespearean Scene (?): A Pilgrim

318. Opening the Fold

319. Opening the Fold

320. The Golden Bough

321. The Bay of Baiae, Apollo and the Sibyl

322. Italy - Childe Harold's Pilgrimage

323. Aesacus and Hesperie

324. The Golden Bough

325. Boccaccio, the Bird Cage

326. Boccaccio, the Bird Cage

327. The Bay of Baiae - Apollo and the Sibyl

328. Italy - Childe Harold's Pilgrimage

329. Loch Achray, The Trosacks Benvenue

330. Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain

331. Olney Church

332. The Peasant's Nest

333. The Elms

334. Views from the Alcove

335. Olney Bridge