The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
3
James Gillray, 1756–1815
A Morning Ride
1804
4
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
5
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
6
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
7
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
8
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
9
James Gillray, 1756–1815
Gentle Emetic
1804
10
James Gillray, 1756–1815
Breathing a vein
1804
11
James Gillray, 1756–1815
Charming-well again
1804
12
Print made by James Gillray, 1756–1815
The Pillar of the Constitution
1807, published 1835
13
James Gillray, 1756–1815
Le Diable Boiteaux
1806
14
James Gillray, 1756–1815
The Cabinetical Balance
1806
15
James Gillray, 1756–1815
Brisk Cathartic
1804
16
James Gillray, 1756–1815
Charming Well Again
1804
17
James Gillray, 1756–1815
Breathing a Vein
1804
18
James Gillray, 1756–1815
Brisk Cathartic
1804
19
James Gillray, 1756–1815
The Pigs Possessed
1807
20
James Gillray, 1756–1815
John Bull and the Sinking Fund
1807
21
James Gillray, 1756–1815
Making Decent / Broad bottomites getting into the Grand Costume
1806
22
James Gillray, 1756–1815
Tiddy-Doll, the great Gingerbread Baker, drawing out a new Batch of Kings
1806
23
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
24
James Gillray, 1756–1815
Tales of wonder
1802
25
James Gillray, 1756–1815
Playing in Parts
1801
26
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
27
James Gillray, 1756–1815
A Great Stream from a Petty Fountain
1806
28
James Gillray, 1756–1815
A kick at the Broad Bottoms
1807
29
James Gillray, 1756–1815
The Friend of the People
1806
30
James Gillray, 1756–1815
L'Enfant Trouve: a sample of Roman Charity
1808
31
James Gillray, 1756–1815
Progress of the Toilet - The Stays Plate I
1810
32
James Gillray, 1756–1815
Maecenas, in pursuit of the Fine Arts
1808
33
James Gillray, 1756–1815
Fine Bracing Weather
1808
34
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
35
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
36
James Gillray, 1756–1815
Evacuation of Malta
1803
37
James Gillray, 1756–1815
Playing in Parts
1801
38
James Gillray, 1756–1815
Palemon and Lavinia
1805
39
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
40
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
41
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
42
James Gillray, 1756–1815
Brisk Cathartic
1804
43
Print made by Joseph Brown, 19th century
James Gillray
1848
44
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
45
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
46
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
47
Charles Turner, 1774–1857
James Gillray
1819
48
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
49
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
50
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
51
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
52
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
53
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
54
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
55
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
56
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
57
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
58
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
59
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
60
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
61
James Gillray, 1756–1815
Delicious Weather
1808
62
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
63
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
64
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
65
James Gillray, 1756–1815
The Magnanimous Minister Chastising Prussian Perfidy - Vide the "Morning Chronicle." April 28th
1806
66
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
67
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
68
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
69
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
70
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
71
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
72
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
73
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
74
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
75
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
76
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
77
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
78
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
79
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
80
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
81
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
82
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
83
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
84
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
85
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom
1809
86
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
87
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
88
James Gillray, 1756–1815
True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard
1809
89
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
90
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
91
James Gillray, 1756–1815
Hope
1802
92
James Gillray, 1756–1815
Despair
1802
93
James Gillray, 1756–1815
Forming a Line on the Parade
1801
94
James Gillray, 1756–1815
Liliputian Substitutes, Equiping for Public Services
1801
95
James Gillray, 1756–1815
A Welsh Tandem
1801
96
James Gillray, 1756–1815
One of the Advantages of a Low Carriage
1801
97
James Gillray, 1756–1815
Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)