Materials & Techniques: card and etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Subject Terms: man - YCBA Collections Search Search Results

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Materials & Techniques card

Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

Subject Terms man

1. Sleepest or Wakest Thou?

Sleepest or Wakest Thou?

Creator:: Print made by Richard Ansdell, 1815–1885
Date:: ca. 1853
Materials & Techniques:: Etching on moderately thick, smooth, cream card
Dimensions:: Sheet: 4 1/4 × 5 7/8 inches (10.8 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Belle of the Village

The Belle of the Village

Creator:: Print made by George Baxter, 1804–1867
Date:: 1854
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:: Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Love and Wind

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Hand-colored etching on thick beige card
Dimensions:: Sheet: 12 1/2 x 9 3/4 inches (31.8 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. How to Ride Without a Bridle

How to Ride Without a Bridle

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Hand-colored etching on thick beige card
Dimensions:: Sheet: 12 1/2 x 9 5/8 inches (31.7 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Mr. Kemble, of the Theatre Royal, Drury Lane

Mr. Kemble, of the Theatre Royal, Drury Lane

Creator:: Print made by William Nelson Gardiner, 1766–1814
Date:: 1797
Materials & Techniques:: Stipple engraving and etching, with watercolor on moderately thick, slightly textured, beige card
Dimensions:: Sheet: 8 9/16 × 5 1/2 inches (21.8 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. The Wanderer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 6 x 4 15/16 inches (15.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Rt. Hon. Alexander Hood, Viscount Bridport, K.B.

The Rt. Hon. Alexander Hood, Viscount Bridport, K.B.

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1834
Materials & Techniques:: Stipple engraving and etching on moderately thick, smooth, cream card
Dimensions:: Sheet: 8 13/16 × 5 9/16 inches (22.4 × 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

8. Charles Barry

Creator:: Thomas Harland, active early 19th century
Date:: undated
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, begie card with cream chine collé
Dimensions:: Sheet: 12 7/8 × 9 15/16 inches (32.7 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Sir Charles Eastlake, R. A.

Sir Charles Eastlake, R. A.

Creator:: Print made by George T Doo, 1800–1886
Date:: 1873
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 13 5/8 x 10 3/8 inches (34.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. W. Mulready RA

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1863
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 1/2 inches (43.8 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection