A Cognocenti Contemplating ye Beauties of ye Antique
1801
206
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
207
James Gillray, 1756–1815
The Nabob Rumbled or a Lord Advocates Amusement
1783
208
James Gillray, 1756–1815
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard
1798
209
Print made by Joseph Brown, 19th century
James Gillray
1848
210
James Gillray, 1756–1815
Evacuation Before Resignation
1782
211
James Gillray, 1756–1815
A Morning Ride
1804
212
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
213
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
214
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
215
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
216
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
217
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
218
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
219
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
220
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
221
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
222
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
223
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
224
James Gillray, 1756–1815
The Tree of Liberty
1797
225
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
226
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
227
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
228
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
229
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
230
James Gillray, 1756–1815
John Bull Ground Down
1795
231
James Gillray, 1756–1815
The Death of the Great Wolf
1795
232
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
233
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
234
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
235
James Gillray, 1756–1815
The Royal Society
1786
236
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
237
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
238
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
239
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
240
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
241
James Gillray, 1756–1815
French Liberty - British Slavery
1792
242
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
243
James Gillray, 1756–1815
The Introduction
1791
244
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
245
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
246
James Gillray, 1756–1815
Ancient Music
1787
247
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
248
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
249
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
250
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
251
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
252
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
253
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
254
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
255
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
256
Thomas Rowlandson, 1756–1827
Filial Piety
1788
257
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
258
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
259
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
260
James Gillray, 1756–1815
United Irishmen in Training
1798
261
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
262
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
263
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
264
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
265
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
266
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
267
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
268
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
269
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
270
James Gillray, 1756–1815
Destruction of the French Collossus
1798
271
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
272
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
273
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
274
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
275
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
276
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
277
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
278
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
279
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
280
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
281
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
282
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
283
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
284
James Gillray, 1756–1815
Independence
1799
285
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
286
James Gillray, 1756–1815
A Man of Importance
1799
287
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
288
James Gillray, 1756–1815
A Portrait ------------
1799
289
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
290
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
291
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
292
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
293
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
294
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
295
James Gillray, 1756–1815
The Soliloquy
1782
296
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
297
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
298
James Gillray, 1756–1815
Patience on a Monument
1791
299
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe