<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques stipple engraving

Remove constraint Materials & Techniques: stipple engraving

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Subject Terms man

Remove constraint Subject Terms: man

Subject Terms trees

Remove constraint Subject Terms: trees

Search Results

1. The Satyrs

The Satyrs
Creator:
Stephen Frederick Gooden, 1892–1955
Date:
1937
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 10 3/16 inches (32.2 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

2. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:
Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Free Natives of Dominica

Free Natives of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1780
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 3/4 x 13 5/16 inches (50.2 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 19 5/8 x 14 13/16 inches (49.8 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Celadon and Amelia

Celadon and Amelia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1779
Materials & Techniques:
Stipple and line engraving and etching in black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

12. Atalanta and Hippomanes

Atalanta and Hippomanes
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 11/16 x 11 5/16 inches (42.4 x 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1773
Materials & Techniques:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Noon

Noon
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 × 10 1/2 inches (33 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Free Natives of Dominica

Free Natives of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1780
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Virtuous Love

Virtuous Love
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving and etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 5/8 × 8 3/4 inches (19.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Stanford, the Seat of Sir Edward Winnington, Baronet

No cover image available
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
undated
Materials & Techniques:
Etching with stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 13/16 inches (28.8 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection