Exhibition History: Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29) / Image Use: Free to Use

1. Oberon and Titania

Creator:: Francis Danby, 1793–1861
Date:: 1837
Materials & Techniques:: Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. The Bayhorse, Tattersall’s

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1921
Materials & Techniques:: Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Timber Hauling

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Sunset

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1861
Materials & Techniques:: Watercolor, gouache, gum, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 x 15 1/4 inches (27 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Weald of Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Moonlit Scene with a Winding River

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Ancient Trees, Lullingstone Park

Creator:: Samuel Palmer, 1805–1881
Date:: 1828
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 5/8 inches (26.7 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Fulham Church from across the River

Creator:: John Constable, 1776–1837
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Fowl Skeleton, Lateral View (Finished Study for Table V)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Horse Affrighted by a Lion

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Etching with roulette work, third state
Dimensions:: Plate: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Human Figure, Anterior View (Finished Study of Final Stage of Dissection)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 15 7/8 inches (54 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Study for the Self-portrait in Enamel

Creator:: George Stubbs, 1724–1806
Date:: ca. 1781
Materials & Techniques:: Graphite on medium, smooth, cream wove paper; squared in graphite for transfer
Dimensions:: Sheet: 12 x 9 1/8 inches (30.5 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The First Stage of Cruelty

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Channel Sketchbook

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1845
Materials & Techniques:: Sketchbook bound in red calf with marbled end papers, comprising 88 leaves with 74 watercolors and 26 graphite sketches on medium, slightly textured, white wove paper
Dimensions:: Binding: 4 inches (10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. On the Washburn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1815
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 18 inches (28.6 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Vesuvius in Eruption

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Mer de Glace, in the Valley of Chamonix

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1803
Materials & Techniques:: Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:: Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. A Paddle-steamer in a Storm

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1841
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Leeds

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Venice, The Mouth of the Grand Canal

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1840
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A View of the Pine Woods Above Cannes

Creator:: Edward Lear, 1812–1888
Date:: 1869
Materials & Techniques:: Watercolor and gumming with pen in brown and blue ink, and scraping out, over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 3/16 inches (16.7 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 99, "All Human Forms identified...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 25, "And there was heard...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 35, "Then the Divine hand...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Poems of Thomas Gray, Design 55, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View from Skiddaw over Derwentwater

Creator:: Thomas Hearne, 1744–1817
Date:: between 1772 and 1782
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 10 3/4 x 12 3/4 inches (27.3 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Self-Portrait

Creator:: James Jefferys, 1751–1784
Date:: between 1771 and 1775
Materials & Techniques:: Pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 16 3/8 inches (54 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Venus and Adonis

Creator:: Peter Oliver, 1589–1647
Date:: 1631
Materials & Techniques:: Gray wash, graphite, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 8 13/16 inches (19.2 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Portrait of a Lady

Creator:: Nicholas Hilliard, ca. 1547–1619
Date:: between 1600 and 1615
Materials & Techniques:: Watercolor and gouache on vellum laid onto card
Dimensions:: Sheet: 2 x 1 11/16 inches (5.1 x 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Rosebud, or the Judgement of Paris

Creator:: Richard Westall, 1765–1836
Date:: 1791
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 15 inches (32.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Snowdon, an Approaching Storm

Creator:: James Ward, 1769–1859
Date:: 1853
Materials & Techniques:: Gray wash with pen and brown ink and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 x 12 3/4 inches (17.1 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Self-Portrait

Creator:: Jonathan Richardson the Elder, 1667–1745
Date:: ca. 1733
Materials & Techniques:: Black chalk, red chalk and white chalk on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 18 3/8 × 12 1/2 inches (46.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Village Snow Scene

Creator:: Robert Hills, 1769–1844
Date:: 1819
Materials & Techniques:: Watercolor and gouache over graphite with scraping out on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 16 15/16 inches (32 x 43.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Portia and Bassanio

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 5 1/8 inches (16.5 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Dressmaker's Shop

Creator:: James McNeill Whistler, 1834–1903
Date:: ca. 1897
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 5 3/8 inches (22.5 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Street Scene in Chelsea, possibly depicting the Tobacconist, J. W. Nicholas, located at No. 75, Cheyne Walk

Creator:: James McNeill Whistler, 1834–1903
Date:: ca. 1888
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 5 1/4 × 8 7/8 inches (13.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. King Lear and Cordelia

Creator:: Print made by James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Etching and aquatint with India ink, published state
Dimensions:: Plate: 21 7/8 x 21 5/8 inches (55.6 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Interior of St. Paul's Cathedral

Creator:: Thomas Malton the Younger, 1748–1804
Date:: ca. 1792
Materials & Techniques:: Watercolor, pen and black ink, and graphite on smooth, medium, cream laid paper laid down on card
Dimensions:: Sheet: 26 1/4 x 36 1/8 inches (66.7 x 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Coquet Island

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Brown wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 16 5/8 inches (8.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Man Hunting with a Pointed Staff and a Hound

Creator:: Francis Barlow, 1622–1704
Date:: ca. 1645-1650
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 6 inches (11.7 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Temple of Minerva Medica, Rome

Creator:: Richard Wilson, 1713/4–1782
Date:: 1754
Materials & Techniques:: Black chalk and white chalk on moderately thick, rough, blue laid paper
Dimensions:: Sheet: 11 5/16 x 16 9/16 inches (28.7 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 33 1/4 inches (42.5 x 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Robert Devereux, Second Earl of Essex

Creator:: Isaac Oliver, ca. 1565–1617
Date:: ca. 1596
Materials & Techniques:: Gouache and gray ink on parchment laid onto card
Dimensions:: Frame: 3 x 2 1/2 x 5/8 inches (7.6 x 6.4 x 1.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black and brown ink, gray wash and graphite on moderately thick, slightly textured, white laid paper
Dimensions:: Sheet: 25 11/16 x 14 9/16 inches (65.2 x 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Celebration on the Thames near Whitehall

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Date:: 1685
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 17 3/8 inches (28.3 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Exhibition History Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)

Image Use Free to Use

Search Results

1. Oberon and Titania

2. The Bayhorse, Tattersall’s

3. Timber Hauling

4. Sunset

5. The Weald of Kent

6. A Moonlit Scene with a Winding River

7. Ancient Trees, Lullingstone Park

8. Fulham Church from across the River

9. Fowl Skeleton, Lateral View (Finished Study for Table V)

10. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

11. A Horse Affrighted by a Lion

12. Human Figure, Anterior View (Finished Study of Final Stage of Dissection)

13. Study for the Self-portrait in Enamel

14. A Sleeping Leopard

15. The First Stage of Cruelty

16. The Channel Sketchbook

17. On the Washburn

18. Vesuvius in Eruption

19. Mer de Glace, in the Valley of Chamonix

20. A Paddle-steamer in a Storm

21. Leeds

22. Venice, The Mouth of the Grand Canal

23. A View of the Pine Woods Above Cannes

24. Jerusalem, Plate 99, "All Human Forms identified...."

25. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

26. Jerusalem, Plate 25, "And there was heard...."

27. Jerusalem, Plate 35, "Then the Divine hand...."

28. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

29. The Poems of Thomas Gray, Design 55, "The Bard."

30. Mary Magdalen at the Sepulchre

31. View from Skiddaw over Derwentwater

32. Self-Portrait

33. Venus and Adonis

34. Portrait of a Lady

35. Rosebud, or the Judgement of Paris

36. Snowdon, an Approaching Storm

37. Self-Portrait

38. A Village Snow Scene

39. Portia and Bassanio

40. The Dressmaker's Shop

41. Street Scene in Chelsea, possibly depicting the Tobacconist, J. W. Nicholas, located at No. 75, Cheyne Walk

42. King Lear and Cordelia

43. Interior of St. Paul's Cathedral

44. Coquet Island

45. Man Hunting with a Pointed Staff and a Hound

46. Temple of Minerva Medica, Rome

47. North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

48. Robert Devereux, Second Earl of Essex

49. Headfort House, Ireland: Elevation of the Eating Parlor

50. Celebration on the Thames near Whitehall