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Materials & Techniques aquatint

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Luigi Schiavonetti Two Bunches of Penny Primroses, Two Bunches a Penny
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
Anthony Cardon Do You Want Any Matches?
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
Niccoló Schiavonetti New Mackrel, New Mackrel
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
Giovanni Vendramini Knives, Scissars, and Razors to Grind
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissars, and Razors to Grind
1795
Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
Luigi Schiavonetti Milk below Maids
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
Giovanni Vendramini Fresh Gathered Peas, Young Hastings
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
Giovanni Vendramini Strawberrys, Scarlet Strawberries.
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberries
1795
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
John Hill Dining Hall, Asylum
John Hill, 1770–1850
Dining Hall, Asylum
1808
John Augustus Atkinson Fools; or Jesters
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
Valentine Green St. Augustine's Gate, Canterbury
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
John Bruce Chain Pier at Brighton
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
Thomas Rowlandson Dr. Syntax and his Counterpart
Thomas Rowlandson, 1756–1827
Dr. Syntax and his Counterpart
1820
John Hill St. Sepulchres, The Round Church
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814