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Materials & Techniques black ink

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Date 1802

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Work Type watercolor

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1. Lake Geneva and Mount Blanc

Lake Geneva and Mount Blanc
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1802 to 1805
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper
Dimensions:
Sheet: 28 7/8 x 44 5/8 inches (73.3 x 113.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/16 x 9 7/16in. (18.9 x 24cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Regency Pair

A Regency Pair
Creator:
James Hook, ca. 1772–1828
Date:
1802
Materials & Techniques:
Watercolor, graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 11 3/8 × 10 1/4 inches (28.9 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Sketch of the Plan of the Church of Saint Wenceslas in Prague

Sketch of the Plan of the Church of Saint Wenceslas in Prague
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 9/16 × 6 7/8 inches (26.8 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague

Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/2 × 6 15/16 inches (26.7 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Architectural Sketch of Building with Doric Columns

Architectural Sketch of Building with Doric Columns
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Architectural Drawing of a Temple Near Ancient Phigalia

Architectural Drawing of a Temple Near Ancient Phigalia
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite, gray wash, pen and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 11 3/4 x 16 15/16in. (29.8 x 43.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. An Architectural Drawing of One of the Pillars in the Interior of a Temple

An Architectural Drawing of One of the Pillars in the Interior of a Temple
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Architectural Drawing of the Porticos of a Temple

Architectural Drawing of the Porticos of a Temple
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Architectural Drawing of a Temple

Architectural Drawing of a Temple
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, brown wash, graphite, pen and black ink on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 19 3/16 × 11 1/4 inches (48.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Architectural Drawing of the Temple of Sunias Minerva

Architectural Drawing of the Temple of Sunias Minerva
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, graphite, pen and black ink on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 3/16 × 10 inches (38.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon.

Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon.
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 3/8 × 10 7/16 inches (36.5 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Staircase Railing, Palace of Doge, Venice

Staircase Railing, Palace of Doge, Venice
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 3/16 × 7 1/16 inches (15.7 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Portrait of Frank Buckle

Portrait of Frank Buckle
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 11/16 × 3 7/8 inches (9.4 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Portrait of Thomas Goodisson

Portrait of Thomas Goodisson
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 3 13/16 inches (9.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Basel, Bridge Center, Quayside, with Figures and Shipping Right, with Cathedral Rising behind Buildings

Basel, Bridge Center, Quayside, with Figures and Shipping Right, with Cathedral Rising behind Buildings
Creator:
John Henderson, 1764–1843
Date:
ca. 1807
Materials & Techniques:
Watercolor and pen and ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/8 × 8 inches (8.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Barshaw House

Barshaw House
Creator:
Peter Nicholson, 1765–1844
Date:
1802
Materials & Techniques:
Watercolor, black ink, and graphite on medium, slightly textured, cream laid paper mounted on marbled endpaper
Dimensions:
Sheet: 4 3/4 × 10 1/2 inches (12.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse