Materials & Techniques: chine collé and etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Subject Terms: men

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Materials & Techniques chine collé

Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Subject Terms men

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

George C. Finden, 1811–1885

A Mythological Battle

1853

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Charles Heath, 1785–1848

Tower Hill

1825

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by John Corner, 1788–1825

Sir Godfrey Kneller

1821

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Charles Heath, 1785–1848

Green Park

1825

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Print made by Thomas Creswick, 1811–1869

The Blacksmith's Shop

1838

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by Thomas Creswick, 1811–1869

Moonlight

1839

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