Materials & Techniques: chine collé / Image Available: Unavailable / Classification: Prints

1. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Skylark

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Heidelberg from the Opposite bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Heidelberg from the Opposite Bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with beige chine-collé
Dimensions:: Sheet: 29 × 38 1/8 inches (73.7 × 96.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Dover

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/4 × 35 1/2 inches (65.4 × 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Dover

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 3/4 × 26 1/2 inches (52.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Lake of Lucerne

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1854
Materials & Techniques:: Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Zurich

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1854
Materials & Techniques:: Etching and line engraving, India proof before letters on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 7/8 inches (59.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Shipwreck

Creator:: Print made by John Burnet, 1784–1868
Date:: 1853
Materials & Techniques:: Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 29 × 39 3/8 inches (73.7 × 100 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Golden Bough

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Straits of Dover

Creator:: Print made by William Chapman, 1817–1879
Date:: 1863
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Stonehenge at Daybreak

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1897
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Thomas Bewick

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1852
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 20 1/2 x 15 3/16 inches (52.1 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Penitent

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: between 1842 and 1887
Materials & Techniques:: Stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 19 15/16 x 13 1/2 inches (50.6 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Forfecle

Creator:: George Percival Gaskell, 1868–1934
Date:: 1868
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, white wove paper with cream chine collé
Dimensions:: Sheet: 15 1/16 x 21 inches (38.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

17. William Blake, Frontispiece

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper with chine-collé
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Mousehold Heath, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: between 1810 and 1811
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 9 1/8 x 11 15/16 inches (23.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hester Lynch Piozzi (Mrs. Thrale)

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 13 7/16 × 9 15/16 inches (34.2 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Jason

Creator:: Published by Sir Frank Short, 1857–1945
Date:: 1807
Materials & Techniques:: Etching with mezzotint removed on medium, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/8 × 16 7/8 inches (33.3 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Kilchurn Castle, Loch Awe

Creator:: Print made by William Miller, 1796–1882
Date:: 1847
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Golden Bough

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Battle of Trafalgar, Nelson's Ship

Creator:: Print made by John Burnet, 1784–1868
Date:: 1858
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 3/4 × 39 inches (67.9 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Dido Building Carthage

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1863
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Ilfracombe

Creator:: Print made by William Chapman, 1817–1879
Date:: between 1853 and 1874
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 × 29 7/8 inches (55.9 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Bay of Baiae, Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. St. Michael's Mount, Cornwall

Creator:: Print made by William Miller, 1796–1882
Date:: 1866
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Bell Rock Lighthouse

Creator:: Print made by William Miller, 1796–1882
Date:: 1862
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 inches (59.7 × 86.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Bell Rock Lighthouse

Creator:: Print made by William Miller, 1796–1882
Date:: 1862
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. An Old Manor House

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Line engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 11/16 × 6 11/16 inches (29.7 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Wreck of the Minotaur

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Mezzotint with etching; published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 38 5/8 inches (68.6 × 98.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Mrs. Braddyll

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: undated
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 23 3/8 × 18 1/2 inches (59.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. Mrs. Braddyll

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: undated
Materials & Techniques:: Mezzotint; proof before letters on moderately thick, slightly textured, cream wove paper with chine-collé
Dimensions:: Sheet: 24 1/4 × 18 1/4 inches (61.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. John Stuart Mill

Creator:: Print made by Paul Adolphe Rajon, 1842–1888
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, white wove paper with cream chine-collé
Dimensions:: Sheet: 21 5/8 × 16 1/4 inches (54.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Chain Bridge over the River Tees

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1838
Materials & Techniques:: Line engraving, 2nd state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Elisabet Comitissa Warwyck

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

40. Yes or No

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1873
Materials & Techniques:: Mezzotint and stipple engraving on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 40 × 27 1/4 inches (101.6 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan

41. Benjamin Disraeli

Creator:: Print made by Sir Hubert von Herkomer, 1849–1914
Date:: ca. 1875
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 25 3/16 × 20 1/8 inches (64 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

42. St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1822
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 16 7/8 inches (30.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

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Materials & Techniques chine collé

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1. The Skylark

2. The Skylark

3. Heidelberg from the Opposite bank of the Neckar

4. Heidelberg from the Opposite Bank of the Neckar

5. Hastings

6. Dover

7. Dover

8. Lake of Lucerne

9. Zurich

10. The Shipwreck

11. The Golden Bough

12. The Straits of Dover

13. Stonehenge at Daybreak

14. Thomas Bewick

15. The Penitent

16. Forfecle

17. William Blake, Frontispiece

18. Mousehold Heath, Norwich

19. Hester Lynch Piozzi (Mrs. Thrale)

20. Jason

21. Kilchurn Castle, Loch Awe

22. Hastings

23. The Golden Bough

24. Battle of Trafalgar, Nelson's Ship

25. Dido Building Carthage

26. Ilfracombe

27. The Bay of Baiae, Apollo and the Sibyl

28. St. Michael's Mount, Cornwall

29. The Bell Rock Lighthouse

30. The Bell Rock Lighthouse

31. An Old Manor House

32. Boccaccio, the Bird Cage

33. A Shipwreck

34. The Wreck of the Minotaur

35. Mrs. Braddyll

36. Mrs. Braddyll

37. John Stuart Mill

38. Chain Bridge over the River Tees

39. Elisabet Comitissa Warwyck

40. Yes or No

41. Benjamin Disraeli

42. St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)