Materials & Techniques: etching (printing process) and wove paper / Creator: Pye, John, 1782–1874

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Materials & Techniques etching (printing process)

Materials & Techniques wove paper

Creator Pye, John, 1782–1874

Print made by John Pye, 1782–1874

Paestum (Vignette)

1830

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by John Pye, 1782–1874

Tivoli (vignette)

1830

Print made by John Pye, 1782–1874

Paestum (vignette)

1830

Print made by John Pye, 1782–1874

Tivoli

1830

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

A View of Oxford from the Abingdon Road

1818

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by John Pye, 1782–1874

Paestum (vignette)

1830

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print engraved by John Pye, 1782–1874

Hardraw Fall

1818

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Etched by Samuel Middiman, ca. 1750–1831

La Riccia

1819

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

Print made by John Pye, 1782–1874

Tivoli

1830

Print made by John Pye, 1782–1874

Paestum

1830

Etched by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1812

Print made by John Pye, 1782–1874

A View of Oxford from the Abingdon Road

1818

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

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