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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Period 19th century

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Subject Terms parody

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Henry Heath Extravaganza's of 1827
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
Henry Heath Miss-Ann-Thropy
Print made by Henry Heath, active 1824–1835
Miss-Ann-Thropy
undated
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
James Bretherton The Salutation Tavern
Print made by James Bretherton, ca. 1730–1806
The Salutation Tavern
1801
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
James Bretherton Strephon and Chloe
Print made by James Bretherton, ca. 1730–1806
Strephon and Chloe
1801
Henry Heath Ominum Gatherum, Second Series, No. 3
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 3
undated
Henry Heath Omnium Gatherum, No. 7
Henry Heath, active 1824–1835
Omnium Gatherum, No. 7
undated
Henry Heath Ominum Gatherum, Second Series, No. 5
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
William Heath Who'll Have a Crown - Now's Your Time
Print made by William Heath, 1795–1840
Who'll Have a Crown - Now's Your Time
1830
James Gillray A Cognocenti Contemplating ye Beauties of ye Antique
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
William Heath Oh Yes Believe Me. Love Has Eyes.
William Heath, 1795–1840
Oh Yes Believe Me. Love Has Eyes
undated
Charles Jameson Grant Luminous Don Key
Charles Jameson Grant, active 1830–1852
Luminous Don Key
ca. 1830