Materials & Techniques: etching (printing process) / Exhibition History: Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)

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Materials & Techniques etching (printing process)

Exhibition History Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851

Norham Castle on the Tweed

1816

Print made by Daniel Wilson, 1816–1892

Ancient Carthage - The Embarcation of Regulus

1840

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1842

William Woollett, 1735–1785

Ceyx and Alcyone

1769

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

William Woollett, 1735–1785

Meleager and Atalanta

1779

Print made by William Sharp, 1749–1824

Niobe

1792

William Woollett, 1735–1785

Snowden Hill

1775

William Woollett, 1735–1785

Solitude

1778

James Mason, 1710–1783

Pembroke Town and Castle

1775

Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

Etched by Thomas Gainsborough, 1727–1788

The Gipsies

1764

Print made by Richard Earlom, 1743–1822

A Landscape, with the Story of Apollo and Marsyas

1775

Print made by David Lucas, 1802–1881

Dedham Vale

1838

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