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Materials & Techniques line engraving

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Collection Prints and Drawings

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Genre marine art

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Classification Prints

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701. Ancient Rome

Ancient Rome
Creator:
Print made by Arthur Willmore, 1814–1888
Date:
1879
Materials & Techniques:
Line engraving, mezzotint and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

702. Scarborough

Scarborough
Creator:
William Chapman, 1817–1879
Date:
ca. 1861
Materials & Techniques:
Line engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

703. Fingal's Cave Staffa

Fingal's Cave Staffa
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

704. The Sea! The Sea!

The Sea! The Sea!
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

705. Harfleur

Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

706. Harfleur

Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, (Engraver's Proof c) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

707. Vernon

Vernon
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (touched) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

708. Paris from the Barriere de Passy

Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

709. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

710. The Vision of Columbus

The Vision of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, open etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

711. Tours - looking backwards

Tours - looking backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 × 11 3/4 inches (21.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

712. Tours - looking backwards

Tours - looking backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

713. Tours - looking backwards

Tours - looking backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

714. Havre, Tower of Francis I

Havre, Tower of Francis I
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

715. Jumièges

Jumièges
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

716. Jumièges

Jumièges
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

717. La Chaise de Gargantua near Duclair

La Chaise de Gargantua near Duclair
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 inches (22.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

718. Château de la Mailleraie

Château de la Mailleraie
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

719. Château de la Mailleraie

Château de la Mailleraie
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite, and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

720. Between Quilleboeuf and Villequier

Between Quilleboeuf and Villequier
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 1/8 inches (21.9 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

721. Between Quilleboeuf and Villequier

Between Quilleboeuf and Villequier
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

722. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with creme chine collé
Dimensions:
Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

723. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 6 1/2 inches (25.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

724. Quilleboeuf

Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

725. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

726. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

727. Vernon

Vernon
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slighlty textured, cream wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

728. Paris from the Barriere de Passy

Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

729. Havre, Tower of Francis I

Havre, Tower of Francis I
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

730. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with creme chine collé
Dimensions:
Sheet: 16 1/2 × 11 1/8 inches (41.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

731. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (unfinished) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

732. Mantes

Mantes
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (finished, without any lettering) on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

733. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

734. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, early engraver's proof, touched on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 9 × 13 1/4 inches (22.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

735. Saint Denis

Saint Denis
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

736. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

737. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

738. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

739. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

740. The Death Boat of Heligoland

The Death Boat of Heligoland
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

741. Tancarville

Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 5/8 × 18 inches (32.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

742. The Welch Bridge at Shrewsbury

The Welch Bridge at Shrewsbury
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1776
Materials & Techniques:
Etching and line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/16 inches (19.4 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

743. View of Calcutta

View of Calcutta
Creator:
Print made by R. Campbell, active ca. 1832
Date:
1832
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

744. The Straits of Dover

No cover image available
Creator:
Print made by William Chapman, 1817–1879
Date:
1863
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

745. Ilfracombe

No cover image available
Creator:
Print made by William Chapman, 1817–1879
Date:
between 1853 and 1874
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 × 29 7/8 inches (55.9 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

746. The Shipwreck

No cover image available
Creator:
Print made by John Burnet, 1784–1868
Date:
1853
Materials & Techniques:
Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 29 × 39 3/8 inches (73.7 × 100 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

747. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1858
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 7/8 × 31 3/4 inches (60.6 × 80.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

748. Battle of Trafalgar, Nelson's Ship

No cover image available
Creator:
Print made by John Burnet, 1784–1868
Date:
1858
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/4 × 39 inches (67.9 × 99.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

749. The Bell Rock Lighthouse

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1862
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 34 inches (59.7 × 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

750. The Tuileries and Notre Dame

No cover image available
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

751. Hastings

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1851
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

752. Hastings

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1851
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

753. Dover

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1851
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 25 3/4 × 35 1/2 inches (65.4 × 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

754. Dover

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1851
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 20 3/4 × 26 1/2 inches (52.7 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

755. The Bell Rock Lighthouse

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1862
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

756. Newstead Abbey

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

757. Between Quilleboeuf and Villequier

No cover image available
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Early Engraver's Proof) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

758. Bamorough Castle

No cover image available
Creator:
Print made by Samuel Bradshaw, 1830–1869
Date:
undated
Materials & Techniques:
Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 12 15/16 inches (25.3 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

759. St. Michael's Mount, Cornwall

No cover image available
Creator:
Print made by John Saddler, 1813–1892
Date:
ca. 1876
Materials & Techniques:
Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 inches (25.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

760. Ventimiglia on the Cornice Road

No cover image available
Creator:
Print made by A. Krausse
Date:
ca. 1875
Materials & Techniques:
Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 15/16 inches (24.8 × 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

761. Kynance Rocks, Cornwall

No cover image available
Creator:
Print made by Samuel Bradshaw, 1830–1869
Date:
undated
Materials & Techniques:
Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 10 13/16 inches (22.5 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

762. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

No cover image available
Creator:
Print made by Samuel Fisher, 1806–1851
Date:
between 1821 and 1851
Materials & Techniques:
Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

763. The Capture of Havannah, Attacks of the City and Punto Castle

No cover image available
Creator:
Print made by James Mason, 1710–1783
Date:
ca. 1766
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection

764. Ships of the Secret Expedition against the Havannah

No cover image available
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
ca. 1764
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection