Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
2
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
3
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
4
Print made by William Hogarth, 1697–1764
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
5
Print made by William Hogarth, 1697–1764
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
6
Print made by William Hogarth, 1697–1764
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
7
Print made by William Hogarth, 1697–1764
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
8
Print made by William Hogarth, 1697–1764
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
9
Print made by William Hogarth, 1697–1764
Plate 1, The Fellow 'Prentices at their Looms
1747
10
Print made by William Hogarth, 1697–1764
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
11
Print made by William Hogarth, 1697–1764
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
12
Print made by William Hogarth, 1697–1764
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
13
Print made by William Hogarth, 1697–1764
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
14
Print made by William Hogarth, 1697–1764
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
15
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
16
Print made by Robert Brandard, 1805–1862
Château de Tancarville, with Town of Quilleboeuf
1834
17
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
18
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
1549
19
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1830
20
William Finden, 1787–1852
The Tear
1834
21
Print made by William Angus, 1752–1821
Fonthill House, Wiltshire
1800
22
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
23
Print made by Edward Goodall, 1795–1870
The Lake of Geneva
1829
24
Print made by Edward Goodall, 1795–1870
Florence (vignette)
1830
25
Print made by Edward Goodall, 1795–1870
Florence
1830
26
Print made by William Bernard Cooke, 1778–1855
Martigny (vignette)
1830
27
Print made by Henry Le Keux, 1787–1868
Villa Madama (vignette)
1830
28
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
29
Print made by Edward Goodall, 1795–1870
Carlisle
1834
30
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
31
Print made by Edward Goodall, 1795–1870
The Gipsy
1834
32
Print made by Edward Goodall, 1795–1870
Greenwich Hospital
1834
33
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
34
Print made by John Cousen, 1804–1880
Light Towers of the Heve, vignette for title page
1834
35
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
36
Print made by Francesco Bartolozzi, 1728–1815
Philip Dormer Stanhope, Earl of Chesterfield
1777
37
Print made by Charles Mosley, c.1720–c.1770
O the Roast Beef of Old England, &c
1749
38
Print made by Bernard Baron, 1696–1762
Marriage à la Mode, Plate 3
1745
39
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 4
1745
40
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Marriage à la Mode, Plate 1
1745
41
Print made by Simon François Ravenet, 1706–1774
Marriage à la Mode, Plate 5
1745
42
Print made by Henry Winstanley, 1644–1703
Edystone Lighthouse
between 1699 and 1708
43
Print made by Francesco Bartolozzi, 1728–1815
Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk
1798
44
Print made by Francesco Bartolozzi, 1728–1815
View of the Temple of Aesculapius
1764
45
Print made by Jacobus Houbraken, 1698–1780
Charles Lord Talbot, Lord High Chancellor
1739
46
Print made by Francesco Bartolozzi, 1728–1815
View of the Porta Ferrea
1764
47
Print made by Francesco Bartolozzi, 1728–1815
View of the Inside of the Vestibulum
1764
48
Print made by Francesco Bartolozzi, 1728–1815
Another View of the Temple of Aesculapius
1764
49
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
between 1546 and 1590
50
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
between 1546 and 1590
51
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
between 1546 and 1590
52
Print made by Gerard de Jode, born 1509 or 1517, died 1591
De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
between 1546 and 1590
53
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
54
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
55
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
56
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
57
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
58
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
59
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
60
Published by Giovanni Giacomo de Rossi, 1627–1691
Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
between 1546 and 1590
61
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
62
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
63
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
64
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
65
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
66
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
67
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
68
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
69
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
70
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
71
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
72
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
73
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
74
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
75
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
76
Print made by Francesco Curti, 1610–1690
Frontispiece: Hercules Fighting the Hydra
ca. 1633
77
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
78
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
79
Print made by Oliverio Gatti, 1568–1651
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
80
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
81
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
82
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
83
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
84
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
85
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
86
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
87
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
88
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
89
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
90
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
91
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome
ca. 1633
92
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
93
Print made by Francesco Curti, 1610–1690
Studies for the Instruction of Painters, two suites. Rome, c. 1630