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Materials & Techniques stipple engraving

Remove constraint Materials & Techniques: stipple engraving

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Period 18th century

Remove constraint Period: 18th century

Genre literary theme

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Search Results

Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Thomas Watson Miss Elizabeth Beauclerc as 'Una'
Print made by Thomas Watson, 1743–1781
Miss Elizabeth Beauclerc as 'Una'
1782
Francis Haward Mrs. Siddons, in the Character of the Tragic Muse
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
John Ogborne the Elder Mrs. Jordan in the Character of the Romp
Print made by John Ogborne the Elder, 1755–1795
Mrs. Jordan in the Character of the Romp
1788
Peltro W. Tomkins Sylvia
Print made by Peltro W. Tomkins, 1760–1840
Sylvia
1786
Francesco Bartolozzi The Cottagers
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
Francis Haward Cymon and Iphigenia
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
William Nutter Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
William S. Leney Taming the Shrew, Act III, Scene II
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
Thomas Macklin Fallstaff Playing the Prince, The Prince Playing the King
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
Robert Dighton Hamlet in Scotland
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
Peltro W. Tomkins The Three Witches
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
Peter Simon Taming Of The Shrew, Act III, Scene II
Peter Simon, 1750–1810
Taming Of The Shrew, Act III, Scene II
1795
Francesco Bartolozzi Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
Francesco Bartolozzi Queen Katherine's Dream - "Henry VIII"
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
Francesco Bartolozzi Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
Francesco Bartolozzi Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793