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Materials & Techniques white gouache

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Work Type watercolor

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John Constable Male Nude
John Constable, 1776–1837
Male Nude
1808
Henry Pierce Bone The Sleepwalking Scene in Macbeth
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
John Frederick Lewis Tyrolese Hunters
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
John Henry Mole View from Craig-y-Barns, Dunkeld, Looking South
John Henry Mole, 1814–1886
View from Craig-y-Barns, Dunkeld, Looking South
1855
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Sir Walter Thomas Monnington Full Length Study of Mr. Gardner
Sir Walter Thomas Monnington, 1902–1976
Full Length Study of Mr. Gardner
undated
John Skinner Prout The Church of St. Laurent
John Skinner Prout, 1806–1876
The Church of St. Laurent
undated
Florence Claxton Conversazione
Florence Claxton, active 1855–1889
Conversazione
undated
John Ruskin The Rocky Bank of a River
John Ruskin, 1819–1900
The Rocky Bank of a River
ca. 1853
Emily Calmady Sir Thomas Lawrence's Painting Room in 1824
Emily Calmady, 19th century
Sir Thomas Lawrence's Painting Room in 1824
1824
Richard Parkes Bonington The Use of Tears
Richard Parkes Bonington, 1802–1828
The Use of Tears
1827
Eric Gill Ex Libris Richard Isdell-Carpenter
Eric Gill, 1882–1940
Ex Libris Richard Isdell-Carpenter
1936
Bernard Lens II A Triton holding a Fish
Bernard Lens II, 1659–1725
A Triton holding a Fish
1700
Evelyn Gibbs Three Figures Resting by a Roadside
Evelyn Gibbs, 1905–1991
Three Figures Resting by a Roadside
undated
John Piper Sketch of English Country Churches
John Piper, 1903–1992
Sketch of English Country Churches
ca. 1950