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Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Date 1796

Remove constraint Date: 1796

Period 18th century

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Villa Salviati on the Arno
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1796 and 1797
Materials & Techniques:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 9 1/4 inches (18.4 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. James' Park, Summer
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
1796
Materials & Techniques:
Watercolor and pen and black ink on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 23 1/2 inches (44.1 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Douglas Children
Creator:
Print made by James Ward, 1769–1859
Date:
1796
Materials & Techniques:
Mezzotint (second state) on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 5/8 × 17 3/4 inches (54.9 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Cherry Girl
Creator:
Print made by unknown artist
Date:
1796
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 11 1/4 inches (40 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Maria

Maria
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1796
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 9 inches (29.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Fortune

Fortune
Creator:
Print made by unknown artist
Date:
1796
Materials & Techniques:
Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Encampment at Brighton
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1796
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Alto Relievo
Creator:
Benjamin Smith, 1775–1833
Date:
1796
Materials & Techniques:
Stipple on medium, slightly textured, cream wove paper
Dimensions:
Mount: 30 1/4 × 20 7/8 inches (76.8 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Citizens Retreat
Creator:
William Ward, 1766–1826
Date:
1796
Materials & Techniques:
Mezzotint, colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 5/16 × 26 3/16 inches (51.6 × 66.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Selling Rabbits
Creator:
William Ward, 1766–1826
Date:
1796
Materials & Techniques:
Mezzotint, colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/4 × 26 inches (51.4 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Modern Grace...The Ballet of Alonzo e Cara
Creator:
Thomas Rowlandson, 1756–1827
Date:
1796
Materials & Techniques:
Watercolor with pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Mount: 9 7/8 x 11 3/8 inches (25.1 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Palanquin presented by the Marquis Cornwallis to Prince Abdul Calic, Eldest son of Tippoo Sultan
Creator:
Print made by Thomas Prattent, active 1780–1810
Date:
1796
Materials & Techniques:
Etching and line engraving
Dimensions:
Plate: 4 5/8 × 7 9/16 inches (11.7 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to the House of Lords
Creator:
Attributed to William Capon, 1757–1827
Date:
1796
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage of Henry the seventh
Creator:
Print made by George Barret Jr., 1767–1842
Date:
1796
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House in Great St. Helens
Creator:
Thomas Prattent, active 1780–1810
Date:
1796
Materials & Techniques:
Engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 5/8 × 4 1/4 inches (16.8 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
Creator:
Thomas Daniell, 1749–1840
Date:
1796
Materials & Techniques:
Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fallstaff Playing the Prince, The Prince Playing the King
Creator:
Print made by Thomas Macklin, active 1779–1793
Date:
1796
Materials & Techniques:
Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 11/16 × 19 3/8 inches (42.4 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Edward Hawke, 1st Baron Hawke
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1796
Materials & Techniques:
Stipple engraving and etching in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 7 11/16 inches (28.2 x 19.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Watercress Girl
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1796
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 9 7/8 inches (34.3 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall
Creator:
Print made by John Fairburn, active 19th century
Date:
1796
Materials & Techniques:
Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Credulity

Credulity
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 9 5/16 inches (30 × 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Departure from Brighton
Creator:
John Murphy, ca. 1748–1820
Date:
1796
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 24 1/8 × 30 9/16 inches (61.3 × 77.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Gadshill

Gadshill
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1796
Materials & Techniques:
Color printed mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/16 x 12 3/16 inches (41.5 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Distress'd Situation of the Dutton East Indiaman
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1796
Materials & Techniques:
Etching, aquatint, and line engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 7/8 × 26 1/2 inches (50.5 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham
Creator:
unknown artist
Date:
1796
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 × 31 1/8 inches (51.4 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Imposture of the Holy Maid of Kent
Creator:
Print made by Isaac Taylor, 1759–1829
Date:
1796
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
View of Annecy, in Savoy
Creator:
Published by John Sewell, active 1735–1802
Date:
1796
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent
Creator:
Print made by William Bromley, 1769–1842
Date:
1796
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Shakespearean Scene (?): A Pilgrim
Creator:
Joseph Farington, 1747–1821
Date:
1796
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper
Dimensions:
Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of an Elderly Lady
Creator:
George Dance, 1741–1825
Date:
1796
Materials & Techniques:
Graphite, gray ink, and watercolor on medium, slightly textured, cream wove paper; mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 7 inches (22.2 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Captain Thomas Coram
Creator:
William Nutter, 1754–1802
Date:
1796
Materials & Techniques:
Engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 25 1/8 × 19 3/16 inches (63.8 × 48.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mary E. Knapp
A Tiger Lying in the Entrance of a Cave
Creator:
Elizabeth Pringle, active ca. 1800
Date:
1796
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 24 inches (48.9 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1796
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey