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Date 1827

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John Constable Study of Three Parrot Tulips
Attributed to John Constable, 1776–1837
Study of Three Parrot Tulips
ca. 1832
Not on view
Francis Danby Study for "The Golden Age"
Francis Danby, 1793–1861
Study for "The Golden Age"
1827
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Edward Lear Entrance to the Port of Marseille
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
Edward Lear English Country Town
Edward Lear, 1812–1888
English Country Town
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
George Vincent A View of Thames Street, Windsor
George Vincent, 1796–1832
A View of Thames Street, Windsor
1827 to 1830
Not on view
James Ward Cattle at a Pool at Sunrise
James Ward, 1769–1859
Cattle at a Pool at Sunrise
1827
Not on view
Thomas Phillips Portrait of Charles Frederick Schlaberg, London, 1827
Thomas Phillips, 1770–1845
Portrait of Charles Frederick Schlaberg, London, 1827
1827
Not on view
William Collins Frost Scene
William Collins, 1788–1847
Frost Scene
1827
Not on view
John Ferneley Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
John Ferneley, 1782–1860
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
Richard Redgrave Self-Portrait
Richard Redgrave, 1804–1888
Self-Portrait
ca. 1832
Not on view
William James Muller The Bridge at Llangollen
William James Muller, 1812–1845
The Bridge at Llangollen
undated
James Pattison Cockburn Advanced Guard - Sunrise
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
John James Chalon Music: Composition in a Garden
John James Chalon, 1778–1854
Music: Composition in a Garden
ca. 1832
Welby Sherman Shepherd and Shepherdess by Moonlight
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
Thomas Stothard The Fortune Teller
Thomas Stothard, 1755–1834
The Fortune Teller
1827
William James Muller Study of a Cottage by a lane
William James Muller, 1812–1845
Study of a Cottage by a lane
undated
William James Muller Farm Buildings
William James Muller, 1812–1845
Farm Buildings
undated
William James Muller A Mountain Torrent
William James Muller, 1812–1845
A Mountain Torrent
undated
William James Muller Study of a Rustic Interior Scene
William James Muller, 1812–1845
Study of a Rustic Interior Scene
undated
William James Muller The Bridge
William James Muller, 1812–1845
The Bridge
undated
John Gibson An Unknown Young Woman
John Gibson, 1790–1866
An Unknown Young Woman
late 1820s
Not on view
Richard Parkes Bonington Study of a Gentleman in 17th Century Costume
Richard Parkes Bonington, 1802–1828
Study of a Gentleman in 17th Century Costume
between 1827 and 1828
Sir Francis Leggatt Chantrey George IV
Sir Francis Leggatt Chantrey, 1781–1841
George IV
1827
Not on view
Robert Wallis St. Maurice (vignette)
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
Edward Goodall Prudoe Castle, Northumberland
Print made by Edward Goodall, 1795–1870
Prudoe Castle, Northumberland
1827-1838
W. R. Smith Entrance to Fowey Harbour, Cornwall
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
James T. Willmore Okehampton, Devonshire
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
W. R. Smith Entrance to Fowey Harbour, Cornwall
Print made by W. R. Smith, active 1819–1851
Entrance to Fowey Harbour, Cornwall
1827-1838
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
James T. Willmore Okehampton, Devonshire
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
Thomas Jeavons Knaresborough, Yorkshire
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
Robert Brandard Lancaster Sands
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
Thomas Jeavons Knaresborough, Yorkshire
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
J. C. Varrall Malmsbury Abbey, Wiltshire
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838