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Exhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)Search Results
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
101
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
102
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
103
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
104
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
105
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
106
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
107
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
108
- Ploughing Scene in Suffolk
- 1824 to 1825
- Not on view
109
- Portia and Bassanio
- ca. 1826
110
- Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
- 1814
- Not on view
111
- Saint Augustine's Gate, Canterbury
- ca. 1793
112
- Saint Cuthbert's Holy Island
- 1797
113
- Seated Turk
- 1826
- Not on view
114
- Seated Turk
- between 1840 and 1841
115
- Self-Portrait
- 1830
- Not on view
116
- Self-Portrait
- between 1771 and 1775
117
- Sheik Hussein of Gebel Tor and His Son
- between 1842 and 1843
118
- Shuja-ud-Daula, Nawab of Oudh
- 1772
- Not on view
119
- Sir Charles Nicholson
- 1854
- Not on view
120
- Somerset House Terrace from Waterloo Bridge
- ca. 1819
- Not on view
121
- Staffa, Fingal's Cave
- 1831 to 1832
- On view at YUAG
122
- Storm on the Ganges, with Mrs. Hastings near the Col-gon Rocks
- ca. 1790
- Not on view
123
- Stormy Sea, Brighton
- ca. 1828
- Not on view
124
- Stratford Mill
- 1819 to 1820
- On view at YUAG
125
- Study of a Cloudy Sky
- ca. 1825
- Not on view
126
- Study of a Lion and Study of a Lioness' Head
- ca. 1820
127
- Study of a Lioness
- ca. 1824
128
- Study of a Plunging Eagle
- undated
129
- The Artist and His Son Raphael
- 1773
- Not on view
130
- The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
- 1800
131
- The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
- 1800
- Not on view
132
- The Channel Sketchbook
- ca. 1845
133
- The Creation of the Heavens
- ca. 1790
134
- The Deluge
- 1834
- Not on view
135
- The Destruction of the Children of Niobe
- 1760
- Not on view
136
- The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
- December 1, 1801
137
- The Great Temple of Amon Karnak, The Hypostyle Hall
- 1838
138
- The Harvest Moon
- ca. 1833
- Not on view
139
- The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
- 1849
- Not on view
140
- The Lake of Albano and Castel Gandolfo
- between 1783 and 1785
141
- The Mandrake: A Charm
- exhibited RA 1785
- Not on view
142
- The Parable of the Wise and Foolish Virgins
- ca. 1825
143
- The Phoenix or the Resurrection of Freedom
- 1776
144
- The Rest on the Flight into Egypt
- ca. 1827
- Not on view
145
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
146
- Tree Study
- between 1800 and 1805
147
- Tryfan, Carnarvonshire
- 1826
148
- Two Studies of an Indian Elephant's Head
- ca. 1840
149
- Undergrowth
- ca. 1815
- Not on view
150
- Upper Fall of the Reichenbach: Rainbow
- 1810
151
- Vesuvius from Posillipo
- ca. 1788
- Not on view
152
- Vesuvius in Eruption
- between 1817 and 1820
153
- Virgin and Child
- 1825
- Not on view
154
- William Charles Wentworth
- 1854
- Not on view
155
- Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
- between 1833 and 1834
- On view at YUAG
156
- Zebra
- 1763
- Not on view