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Exhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
Remove constraint Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)Search Results
1
- The Horse
- ca. 1805
- Not on view
2
- Virgin and Child
- 1825
- Not on view
3
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
4
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
5
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
6
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
9
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
10
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
11
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
12
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
13
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
14
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
15
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
16
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
17
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
18
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
19
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
20
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
21
- Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
- 1794
22
- Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
- 1794
23
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
24
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
25
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
26
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
27
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
28
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
29
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
30
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
31
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
32
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
33
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
34
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
35
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
36
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
37
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
38
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
39
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
40
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
41
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
42
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
43
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
44
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
45
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
46
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
47
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
48
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
49
- The Complaint and the Consolation; or Night Thoughts (and title page)
- 1797
50
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
51
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
52
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
53
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
54
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
55
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
56
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
57
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
58
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
59
- The Parable of the Wise and Foolish Virgins
- ca. 1825
60
- Abraham and Isaac
- 1799 to 1800
61
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
62
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
63
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
64
- Mary Magdalen at the Sepulchre
- ca. 1805
65
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
66
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
67
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
68
- A Father's Memoirs of His Child
- 1806
69
- A Father's Memoirs of His Child
- 1806
70
- A Father's Memoirs of His Child
- 1806
71
- A Select Collection of English Songs
- 1783
72
- A Select Collection of English Songs
- 1783
73
- A Select Collection of English Songs
- 1783
74
- A Select Collection of English Songs
- 1783
75
- A Select Collection of English Songs
- 1783
76
- A Select Collection of English Songs
- 1783
77
- A Select Collection of English Songs
- 1783
78
- A Select Collection of English Songs
- 1783
79
- A Select Collection of English Songs
- 1783
80
- A Select Collection of English Songs
- 1783
81
- A Select Collection of English Songs
- 1783
82
- A Select Collection of English Songs
- 1783
83
- A Select Collection of English Songs
- 1783
84
- A Select Collection of English Songs
- 1783
85
- A Select Collection of English Songs
- 1783
86
- Ballads
- 1805
87
- A Select Collection of English Songs
- 1783