Flying Breakfast, or the Contents of a Night Coach
1792
37
Thomas Rowlandson, 1756–1827
A Peep into the Retreat at Tinnehinch
1799
38
Thomas Rowlandson, 1756–1827
The Parody, - or Mother Cole and Leader
1784
39
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
40
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
41
Thomas Rowlandson, 1756–1827
The Guards on the March for the Duke of York's Campaign in France
undated
42
Thomas Rowlandson, 1756–1827
Set of eight (2): Cries of London
1799
43
Thomas Rowlandson, 1756–1827
Set of eight (3): Cries of London
1799
44
Thomas Rowlandson, 1756–1827
Set of eight (5): Cries of London
1799
45
Thomas Rowlandson, 1756–1827
Set of eight (4): Cries of London
1799
46
Thomas Rowlandson, 1756–1827
Set of eight (5): Cries of London
1799
47
Thomas Rowlandson, 1756–1827
Set of eight (6): Cries of London
1799
48
Thomas Rowlandson, 1756–1827
Set of eight (7): Cries of London
1799
49
Thomas Rowlandson, 1756–1827
Set of Sixteen: Outlines of Figure and Landscapes
1790-1792
50
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
51
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam
1801
52
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
53
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
54
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
55
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
56
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
57
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
58
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
59
Thomas Rowlandson, 1756–1827
Dr. Syntax Painting a Portrait
60
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
61
Thomas Rowlandson, 1756–1827
The Actresses Dressing Room at Drury Lane
between 1800 and 1810
62
Thomas Rowlandson, 1756–1827
Three Sportsmen Sleeping at the Table in Their Chairs
undated
63
Thomas Rowlandson, 1756–1827
Greenwich Hospital, the Painted Hall
1810
64
Thomas Rowlandson, 1756–1827
Common Council Chamber, Guildhall
1808
65
Thomas Rowlandson, 1756–1827
Guildhall Examination of a Bankrupt before his Creditors
66
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
67
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
68
John Bluck, active 1791–1831
Encouragement of Arts &c, Adelphi
1809
69
Joseph Constantine Stadler, active 1780–1812
Quakers Meeting
1809
70
Thomas Rowlandson, 1756–1827
House of Lords
1809
71
Thomas Rowlandson, 1756–1827
Debating Society, Piccadilly
1808
72
J. Hill, active 19th century
The Hall, Blue Coat School
1808
73
John Bluck, active 1791–1831
Vauxhall Garden
1809
74
Thomas Rowlandson, 1756–1827
Resurrection or the Frightened Nurse
1784
75
Thomas Rowlandson, 1756–1827
The Advantage of Shifting the Leg
1798
76
Thomas Rowlandson, 1756–1827
Box Lobby Loungers
1786
77
Thomas Rowlandson, 1756–1827
Heads: Philosophorum
1800
78
Thomas Rowlandson, 1756–1827
The Modern Egbert, or the King of Kings
1789
79
Thomas Rowlandson, 1756–1827
Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman
1785
80
Thomas Rowlandson, 1756–1827
High Fun for John Bull or the Republicans put to their Last Shift
1798
81
Thomas Rowlandson, 1756–1827
Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen
1798
82
Thomas Rowlandson, 1756–1827
The Toper's Mistake
1801
83
Thomas Rowlandson, 1756–1827
Gig-Hauling, or Gentlemanly Amusement for the Nineteenth Century
1801
84
Thomas Rowlandson, 1756–1827
The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola
1791
85
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
86
Thomas Rowlandson, 1756–1827
The Drunken Nurse
undated
87
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
88
Thomas Rowlandson, 1756–1827
An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"
89
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
90
Thomas Rowlandson, 1756–1827
Travelling in France
between 1785 and 1789
91
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
92
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
93
Thomas Rowlandson, 1756–1827
The Consequence of not Shifting the Leg
1798
94
Thomas Rowlandson, 1756–1827
Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs
1804
95
Thomas Rowlandson, 1756–1827
Providence—The Protection of Drunken Men
ca. 1784
96
Thomas Rowlandson, 1756–1827
The Fall of Dagon - or Rare News for Leadenhall Street
1784
97
Thomas Rowlandson, 1756–1827
The Departure
1805
98
Thomas Rowlandson, 1756–1827
Secret Influence directing the new Parliament
1784
99
Thomas Rowlandson, 1756–1827
Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs
1804
100
Thomas Rowlandson, 1756–1827
The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit