A Contest between Oppression and Reason, On the Best Way of Settleing Debates
1795
405
unknown artist
A Barbers Examination
1795
406
unknown artist
The Night Mare
1795
407
Isaac Cruikshank, 1764–1811
The Political Locust
1795
408
unknown artist
The Modern Hercules or a Finishing Blow for Poor John Bull(from: Caricature, vol. 7)
1795
409
Isaac Cruikshank, 1764–1811
The Rival Pigs
1795
410
Print made by Isaac Cruikshank, 1764–1811
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament
1795
411
Isaac Cruikshank, 1764–1811
The Present State of Europe, Or - John Bull on his Last Legs
1795
412
unknown artist
A Lock'd Jaw for John Bull
1795
413
unknown artist
A Concise Explanation of the Convention Bills!!
1795
414
Richard Newton, 1777–1798
Enjoying an Old Friend
1795
415
Print made by unknown artist
National Assembly, Paris
1795
416
Thomas Girtin, 1775–1802
Trees in Hyde Park, London
ca. 1800
417
Anthony Cardon, 1772–1813
Round and Sound Five Pence a Pund Duke Cherry's
1795
418
Giovanni Vendramini, 1769–1839
Fresh gathered Peas. Young Hastings
1795
419
Giovanni Vendramini, 1769–1839
Old Chair to Mend
1795
420
John William Edy, 1760–1820
A View of London from Blackfriars Bridge
1795
421
unknown artist
Gerard's Hall in Basing Lane, Bread Street, Cheapside
1795
422
Francesco Bartolozzi, 1728–1815
His Royal Highness, The Prince Of Wales
1795
423
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
424
Peter Simon, 1750–1810
Taming of the Shrew, Act II Scene II
1795
425
Francesco Bartolozzi, 1728–1815
Memorial Scene; Woman Reclining Against Tomb
1795
426
Francesco Bartolozzi, 1728–1815
Mother And Child
1795
427
unknown artist
Front of the Pantheon, Oxford Street
1795
428
John Cheesman, 18–19th c.
George Washington at Battle of Trenton
1795
429
unknown artist
Eagle on a Perch
ca. 1800
430
Thomas Rowlandson, 1756–1827
The Canterbury-Dover Coach Passing Vanbrugh Castle
between 1795 and 1800
431
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
432
James Gillray, 1756–1815
The Death of the Great Wolf
1795
433
James Gillray, 1756–1815
John Bull Ground Down
1795
434
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
435
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
436
James Gillray, 1756–1815
The Lover's Dream
1795
437
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
438
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
439
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
440
James Gillray, 1756–1815
Presages of the Millenium
1795
441
James Gillray, 1756–1815
Copenhagen House
1795
442
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
443
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
444
James Gillray, 1756–1815
The Sleep-Walker
1795
445
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
446
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
447
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
448
unknown artist
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
449
unknown artist
Section of the House of Commons as it is at Present
ca. 1800
450
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
451
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
452
Thomas Rowlandson, 1756–1827
River Landscape with a Waterfall
between 1795 and 1800
453
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: The Arrival of the Stage-Coach
1795
454
Thomas Rowlandson, 1756–1827
The Launching of a Ship
ca. 1800
455
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
456
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
457
Giovanni Vendramini, 1769–1839
Knives, Sissors and Razors to Grind
1795
458
Luigi Schiavonetti, 1765–1810
New Mackrel
1795
459
Giovanni Vendramini, 1769–1839
Strawberries's Scarlet Strawberries
1795
460
Peter Maverick, 1780–1831
Dr. Johnson
undated
461
Peter Maverick, 1780–1831
Dr. Johnson
undated
462
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
463
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
464
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
465
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
466
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
467
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
468
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
469
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
470
unknown artist
A Laudable Partnership or Souls and Bodies cured without lots of Time
1795
471
unknown artist
Small Blunders or Irish Bulls
1795
472
unknown artist
A Laudable Partnership or Souls and Bodies cured without lots of Time
1795
473
Print made by unknown artist
L'Armurier / Le Pecheur
ca. 1800
474
Print made by unknown artist
La Fruitiere / Le Tailleur
ca. 1800
475
John Kay, 1742–1826
Officers of the Hopeton fincible Regim't
1795
476
unknown artist
Fools Eloquence
1795
477
Isaac Cruikshank, 1764–1811
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for the mem'br of Parl'ament
1795
478
James Gillray, 1756–1815
Light Expelling Darkness
1795
479
Isaac Cruikshank, 1764–1811
Royal Recreation
1795
480
unknown artist
A Laudable Partnership or Souls and Bodies cured without lots of Time
1795
481
Sydenham Teast Edwards, 1768–1819
Hound Standing: profile, facing left
1795
482
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
483
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
484
Thomas Girtin, 1775–1802
Valley of the Conway
ca. 1800
485
Thomas Girtin, 1775–1802
Stokesay Castle: Interior of a Raftered Hall
ca. 1800
486
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
487
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
488
Joseph Grozer, ca. 1755–1798
Evening or the Sportsman's Return
1795
489
Thomas Rowlandson, 1756–1827
'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
undated
490
Sir Thomas Lawrence, 1769–1830
Portrait of Miss Lysons
1795
491
Henry Edridge, 1769–1821
St. Alban's Abbey
ca. 1800
492
unknown artist
Classical Male Nude
ca. 1800
493
Mary Smirke, 1779–1853
Distant View of Upnor Lodge
undated
494
John Raphael Smith, 1752–1812
Woman Holding a Mask
between 1795 and 1800
495
unknown artist
Figures, One Riding, Going Towards a House
ca. 1800
496
Luke Clennell, 1781–1840
Country Toll House
between 1795 and 1800
497
Edward Dayes, 1763–1804
The Meeting of the Rivers Severn and Wye, near Chepstow
1795
498
Attributed to Robert Dixon, 1780–1815
Norwich from the gravel pits
undated
499
Print made by Samuel Ireland, active 1760–died 1800