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Collection Prints and Drawings

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Image Available Available

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Width [cm] 21

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Image Use Free to Use

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Associated People Shakespeare, William (1564–1616), playwright and poet

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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
J. Jacobs Shakespeare House, Aldersgate Street
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
unknown artist Shakespeare's Cliff, Dover
unknown artist
Shakespeare's Cliff, Dover
between 1826 and 1866
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Robert Smirke Allegorical Designs for Medals
Robert Smirke, 1752–1845
Allegorical Designs for Medals
undated
Robert Smirke Untitled: The Persian and the Slave Merchants
Robert Smirke, 1752–1845
Untitled: The Persian and the Slave Merchants
Shakspeare
Shakspeare
1827
Samuel Freeman David Garrick Esq.
Samuel Freeman, 1773–1857
David Garrick Esq
1807
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
Robert Smirke Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation
Print made by Robert Smirke, 1752–1845
Interior of York Minster from the Nave Shewing the Screen of the Choir in its Present Situation
undated
Robert Smirke Untitled: Death of the African Magician
Robert Smirke, 1752–1845
Untitled: Death of the African Magician
Robert Smirke Study for a Relief with Romanesque Figures
Robert Smirke, 1752–1845
Study for a Relief with Romanesque Figures
undated
Robert Smirke Study for a Piece of Furniture
Robert Smirke, 1752–1845
Study for a Piece of Furniture
undated
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
Isaac Cruikshank Bless Thee Bottom, Bless Thee-Thou Art Translated
Attributed to Isaac Cruikshank, 1764–1811
Bless Thee Bottom, Bless Thee-Thou Art Translated
1794
Thomas Cook Shakespeare
Thomas Cook, 1744–1818
Shakespeare
1776
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated