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Credit Line Yale Center for British Art, Paul Mellon Collection

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On-site Access Accessible by appointment in the Study Room

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Date 1773

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Period 18th century-19th century

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Image Available Available

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1. A Christening at the Vatican with Swiss Papal Guard, etc.

A Christening at the Vatican with Swiss Papal Guard, etc.
Creator:
Attributed to James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, gray wash, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 13/16 x 18 5/8 inches (32.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Westminster Abbey from Dean's Yard

Westminster Abbey from Dean's Yard
Creator:
Alexander Nasmyth, 1758–1840
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Edinburgh

Edinburgh
Creator:
Alexander Nasmyth, 1758–1840
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 16 5/16in. (27.3 x 41.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Torquay from the Paignton Road

Torquay from the Paignton Road
Creator:
Attributed to John Sanders, 1768–1826
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 21 1/8 inches (13.7 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Portrait Study of a Young Man, possibly Frank Issom

Portrait Study of a Young Man, possibly Frank Issom
Creator:
attributed to John Hoppner, 1758–1810
Date:
undated
Materials & Techniques:
Pastel, red chalk, black chalk, and white chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/4 × 11 inches (38.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Rocky Bank

A Rocky Bank
Creator:
John Hoppner, 1758–1810
Date:
undated
Materials & Techniques:
Brown crayon and gray wash on medium, moderately textured, beige wove paper mounted on card
Dimensions:
Sheet: 9 7/8 × 9 inches (25.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Young Child with Lap-Dog

Young Child with Lap-Dog
Creator:
John Hoppner, 1758–1810
Date:
undated
Materials & Techniques:
Brown, red and black chalk and watercolor over graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 6 1/4 × 8 1/8 inches (15.9 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Study of a Seated Woman

Study of a Seated Woman
Creator:
John Hoppner, 1758–1810
Date:
undated
Materials & Techniques:
Red chalk and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 10 7/8 inches (39.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Overthrow of Dr. Slop

Overthrow of Dr. Slop
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Battle of the Cataplasm

The Battle of the Cataplasm
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Siege of Namur

The Siege of Namur
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 13/16 inches (28.5 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Mrs. Skinner and Child

Mrs. Skinner and Child
Creator:
John Hoppner, 1758–1810
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 8 3/4 inches (34.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A View of Edinburgh

A View of Edinburgh
Creator:
Alexander Nasmyth, 1758–1840
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 15 7/8in. (22.8 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Pursuit of the French after the Victory at Ramellies

The Pursuit of the French after the Victory at Ramellies
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 7/8 × 12 1/2 inches (27.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Damnation of Obadiah

The Damnation of Obadiah
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Capel House Enfield Outer Suburb - North

Capel House Enfield Outer Suburb - North
Creator:
Thomas Barber, ca. 1768–1843
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Battle of Blenheim MDCCIV, Part the Second

The Battle of Blenheim MDCCIV, Part the Second
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 3/4 × 12 5/8 inches (27.3 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Battle of Blenheim

The Battle of Blenheim
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 3/4 × 12 1/2 inches (27.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. One from a volume of 66 in "Views Drawn from Nature in the Neighborhood of Rome and Abruzzo etc. by Sir Richard Colt Hoare Bart. In the Years 1786 to 1790"

One from a volume of 66 in "Views Drawn from Nature in the Neighborhood of Rome and Abruzzo etc. by Sir Richard Colt Hoare Bart. In the Years 1786 to 1790"
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
between 1773 and 1838
Materials & Techniques:
Graphite, pen and brown ink, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Battle of Taniers, Part Second

The Battle of Taniers, Part Second
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 1/2 × 12 1/2 inches (26.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Battle of Ramillies MDCCVI

The Battle of Ramillies MDCCVI
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 5/8 × 12 1/2 inches (27 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Half-Length Study of a Seated Woman

Half-Length Study of a Seated Woman
Creator:
attributed to John Hoppner, 1758–1810
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 5 1/8in. (15.9 x 13cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Isola Farnese

The Isola Farnese
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
undated
Materials & Techniques:
Brown wash, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 11 inches (21.9 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Ardea di Cesarini

Ardea di Cesarini
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
undated
Materials & Techniques:
Brown wash, pen and brown ink, graphite on textured, medium, cream laid paper
Dimensions:
Sheet: 12 × 17 5/8 inches (30.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. View of Nettuno

View of Nettuno
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Study of a Massive Rock

Study of a Massive Rock
Creator:
John Hoppner, 1758–1810
Date:
undated
Materials & Techniques:
Brown chalk and gray wash on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 8 3/4 × 8 1/2 inches (22.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection