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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- A Tiger and a Sleeping Leopard
- 1788
2
- Tygers at Play
- 1780
3
- A Prancing Horse, Facing Right
- ca. 1790
4
- Study for the Self-portrait in Enamel
- ca. 1781
5
- A Foxhound on the Scent
- 1788
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
6
- A Lion [A recumbent Lion]
- 1788
7
- Hay-Makers
- 1791
![George Stubbs Dog [A Foxhound on the Scent]](https://media.collections.yale.edu/thumbnail/ycba/67aa2d86-08f0-41e7-9421-a4c7134ec952)
8
- Dog [A Foxhound on the Scent]
- 1788
9
- A Horse Affrighted by a Lion
- 1788
10
- A Sleeping Leopard
- 1791
11
- A Tyger (Sleeping Leopard)
- 1788
![George Stubbs A Lion [A Lion resting on a Rock]](https://media.collections.yale.edu/thumbnail/ycba/4c5b1084-9014-43da-bf2a-6ca3a5f42e03)
12
- A Lion [A Lion resting on a Rock]
- 1788
13
- The Farmer's Wife and the Raven
- 1788
14
- Grotesque Female Head
- undated
15
- The First Stage of Cruelty
- ca. 1750
16
- Grotesque Male Head
- undated
17
- Grotesque Male Head
- undated
18
- Grotesque Female Head
- undated
19
- Grotesque Female Head
- undated
20
- Grotesque Female Head
- undated
21
- Grotesque Male Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Male Head
- undated
29
- Grotesque Female Head
- undated
30
- A Midnight Modern Conversation
- 1733
31
- A Rake's Progress, Plate II: His Levee
- 1735
32
- A Rake's Progress, Plate I: He Takes Possession
- 1735
33
- Southwark Fair
- 1733
34
- A Rake's Progress, Plate V: He Marries
- 1735
35
- A Rake's Progress, Plate III: He Revels
- 1735
36
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
37
- A Rake's Progress, Plate IV: Goes to Court
- 1735
38
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
39
- A Rake's Progress, Plate VI: He Gambles
- 1735
40
- A Consultation of Physicians
- 1736
41
- Colombus breaking the Egg
- 1753
42
- Strolling Actresses Dressing in a Barn
- 1738
43
- The Distrest(ed) Poet
- 1740
44
- The Enraged Musician
- 1741
45
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
46
- Scholars at a Lecture (A Chorus of Singers)
- 1736
47
- The Sleeping Congregation
- 1736
48
- The Stage Coach; Or Country Inn Yard
- 1747
49
- Gulielmus Hogarth
- 1749
50
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
51
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
52
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
53
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
54
- Simon Lord Lovat
- 1746
55
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
56
- Analysis of Beauty, Plate II: A Country Dance
- 1753
57
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
58
- The Invasion, Plate I: France
- 1756
59
- The Polling, Plate III
- 1758
60
- The Invasion, Plate II: England
- 1756
61
- The Bench
- 1758
62
- An Election Entertainment, Plate I
- 1755-58
63
- The Laughing Audience
- 1733
64
- Chairing the Members, Plate IV
- 1758
65
- The Cockpit
- 1759
66
- Hogarth Painting the Comic Muse
- 1764
67
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
68
- Fair Scene
- 1733
69
- Prospectus print "Crown & Mitre"
- 1754
70
- William Hogarth
- 1764
71
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
72
- The Four Times of Day, Plate II: Noon
- 1738
73
- The Four Times of Day, Plate IV: Night
- 1738
74
- The Four Times of Day, Plate I: Morning
- 1738
75
- Benjamin Read
- ca. 1757
76
- Hymen
- ca. 1748
77
- Gabriel Hunt
- undated
78
- Study of a Female Nude
- undated
79
- Study for the Foundlings
- ca. 1739
80
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
81
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
82
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
83
- View of Ely Cathedral
- ca. 1796
84
- Christ Church Gate, Canterbury
- 1793 to 1794
85
- Autumn Sowing of the Grain
- ca. 1794
86
- Interior of St. John's Palace, Eltham
- ca. 1793
87
- North East View of Grantham Church, Lincolnshire
- ca. 1797
88
- Fisherman's Cottage, Dover
- ca. 1790s
89
- South Porch and Tower of an Unidentified Church
- between 1790 and 1795
90
- Newark - upon - Trent
- ca. 1796
91
- In the Valley Near Vietri
- ca. 1794
92
- Villa Salviati on the Arno
- between 1796 and 1797
93
- Sir William Hamilton's Villa
- ca. 1795
94
- Santa Lucia, A Convent near Caserta
- ca. 1795
95
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
96
- Man with Horse and Cart Entering a Quarry
- ca. 1797
97
- The Hurries, Coal Boats Loading, North Shields
- ca. 1795
98
- The Angler
- 1794
99
- Near Grindelwald
- ca. 1796
100
- From the Isola Borromena, Lago Maggiore
- ca. 1795