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Sale at Ward's Repository, No. 2
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1918
Materials & Techniques:
Crayon, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 17 inches (34.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 6 5/8 inches (20.5 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stable Boy Holding a Horse in a Landscape
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Vault in the Saddle
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Turbaned Cavalryman on a Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 5 1/16 inches (16.5 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1827 and 1851
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 5/16 × 4 13/16 inches (16 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 3 1/8 × 4 13/16 inches (7.9 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kindly, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/16 × 8 1/16 inches (16 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 6 inches (15.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Final Instructions
Creator:
Philip William May, 1864–1903
Date:
undated
Materials & Techniques:
Pen and black ink
Dimensions:
Sheet: 5 1/2 × 6 1/2 inches (14 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horse and Rider Walking to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
Creator:
unknown artist
Date:
ca. 1860
Materials & Techniques:
Graphite on medium, slightly textured, laid paper
Dimensions:
Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pastel, black chalk, and white chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 3/4in. (27 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Whitney Collections of Sporting Art
No cover image available
Creator:
Harold Sterner, 1895–1976
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, black chalk and collage on thick, slightly textured, white board
Dimensions:
Sheet: 18 1/4 × 24 7/8 inches (46.4 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection