West Bank near Howatke; 8:15 A.M., 8 Jan. 1867 (95)
1867
3
Edward Lear, 1812–1888
Above Kalabashe; 12:20 P.M., 31 Jan. 1867 (297)
1867
4
Edward Lear, 1812–1888
Dishne; 4:30 P.M., 27 Feb. 1867 (554)
1867
5
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
6
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
7
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
8
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
9
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
10
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
11
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
12
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
13
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
14
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
15
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
16
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
17
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
18
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
19
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
20
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
21
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
22
William Blake, 1757–1827
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
23
Print made by William Blake, 1757–1827
William Cowper
1803-1804
24
George Romney, 1734–1802
Ms. notes
undated
25
George Romney, 1734–1802
Ms. notes
undated
26
unknown artist
Lady Slippers
undated
27
unknown artist
Church at Dallington
undated
28
James R. G. Exley, 1878–1967
"No Bird can with the well-bred cock compare..."
1924
29
unknown artist
Tracing of Man Reading
undated
30
Thomas D. W. Dearn, 1777–1853
Cottage with Sawhorse in the Front Yard
31
Thomas Hosmer Shepherd, 1792–1864
The Tower of London
32
unknown artist
Sir William Ffienlez Knight
undated
33
Thomas Sibson, 1817–1844
Our Own Time
undated
34
Print made by Bernard Lens II, 1659–1725
Garden Perspective
1680-1690s
35
William Holl II, 1807–1871
The Marquess of Huntly
1806
36
J. J. Rurie, active 1843
Six Prisoners
37
Stephen Frederick Gooden, 1892–1955
Absalom
1923
38
Print made by Stanley Roy Badmin, 1906–1989
Priory Pond, Stroud
1932
39
Print made by Stanley Roy Badmin, 1906–1989
Swinbrook Bridge
1931
40
unknown artist
St. Clement Danes
undated
41
unknown artist
Holland House
undated
42
Print made by Sir Frank William Brangwyn, 1867–1956
Children in a Village
1930s
43
Print made by Sir David Young Cameron, 1865–1945
House Front, Ypres
1907-30
44
Print made by Francis Dodd, 1874–1949
General Capper
1919
45
Robert Robinson, active 1674–1706
An Artist Sketching Classical Ruins
1680-1689
46
John Postle Heseltine, 1843–1929
Le Pont de Waterloo a Londres
1897
47
Print made by Edward Julius Detmold, 1883–1957
The Falcon
1904
48
Bernard Eyre Walker, 1886–ca. 1940
Inner Quadrangle, Queen's College, Oxford
undated
49
Print made by Thomas Goff Lupton, 1791–1873
The Shores of Wharfe
1856
50
George Housman Thomas, 1824–1868
Man writing (similar to man in an illustration by Thomas in "Vicar of Wakefield," p.120)
undated
51
George Housman Thomas, 1824–1868
Mules
undated
52
George Housman Thomas, 1824–1868
Boy Whistling
undated
53
Martin Hardie, 1875–1952
A Bit of Old Portsmouth
1910
54
Martin Hardie, 1875–1952
The Suffolk Farm
1924
55
Walter Richard Sickert, 1860–1942
Chagford
56
Print made by William Strang, 1859–1921
David Strang No. 2
1919
57
Print made by William Strang, 1859–1921
The Mark of the Beast
1900
58
Print made by William Strang, 1859–1921
The Mutiny of the Mavericks
1900
59
Print made by William Strang, 1859–1921
William the Conqueror
1900
60
Print made by William Strang, 1859–1921
Portrait of Austin Dobson
1894
61
Martin Hardie, 1875–1952
Porte des Dunes, Boulogne
1917
62
Attributed to Henry Roberts, ca. 1710–1790
Landscape with Animals beneath a rugged cliff
ca. 1745
63
Print made by William Strang, 1859–1921
On Greenhow Hill
1900
64
Graham Vivian Sutherland, 1903–1980
Michaelmas
1928
65
Graham Vivian Sutherland, 1903–1980
The Meadow Chapel
1928
66
John Robert Cozens, 1752–1797
Temple Ruins
undated
67
Walter Richard Sickert, 1860–1942
Horses of St. Mark's
68
unknown artist
The New Imperial Crown to be worn by his Majesty George the Fourth
69
unknown artist
Classical Scene
1793
70
Edward Rooker, 1724–1774
A Gate Belonging to the Old Palace of White Hall
71
unknown artist
St. Leonard, Shoreditch
undated
72
unknown artist
The Planographie of the Cathedral of St. Pauls
73
unknown artist
Vue de la Partie exterieure du Choeur, du Cote D'Accident Avant le feu de Tot
74
George Perfect Harding, 1780–1853
Lady Mary Dudley
undated
75
unknown artist
St. Martin, Outwich, Bishopsgate Street
1830
76
John Moran, 1831–1902
Sea Scene
1874
77
Robert Smirke, 1752–1845
Untitled: Classical Pastoral Scene
78
Print made by Sir David Young Cameron, 1865–1945
R. 42. Greenock, No. 1. No. 13 in the Clyde Set
1889
79
Print made by Bernard Lens II, 1659–1725
Winter
1680-1690s
80
Sir David Young Cameron, 1865–1945
Ralia
1912
81
James Stow, ca. 1770–after 1820
Reverend Michael Lort
1815
82
Walter Richard Sickert, 1860–1942
Market Scene, Holland
83
Anker Smith, 1759–1819
War Listening to Peace
84
unknown artist
Fontainebleau Facade du Donjon
85
unknown artist
La Cathedrale a Aix la Chapelle
86
unknown artist
Market House aix la Chapelle
87
Print made by Lucian Freud, 1922–2011
Lawrence Gowing
1982
88
Sir Howard Hodgkin, 1932–2017
Cardo's Bar (Black)
1979
89
Sir Howard Hodgkin, 1932–2017
Cardo's Bar (Red)
1979
90
Robert Cockburn, 1812–1836
Bridge of Antioch, Oct. 1835
1835
91
Robert Cockburn, 1812–1836
Aleppo - Jan. 1836
1836
92
Mrs. P. D. H. Page, 20th century
Mayflower and Meadow Brown Butterfly, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 45]