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1. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 19 1/2 x 16 inches (49.5 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Prison Scene

Prison Scene
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
between 1749 and 1802
Materials & Techniques:
Black ink with watercolor over graphite on moderately thick moderately textured white laid paper
Dimensions:
Sheet: 14 1/4 x 21 inches (36.2 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

5. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A Christening

A Christening
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Traveling Potter Outside a Cottage

Traveling Potter Outside a Cottage
Creator:
Francis Wheatley, 1747–1801
Date:
1798
Materials & Techniques:
Watercolor over graphite with gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 x 19 1/8 inches (38.7 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Mrs. William Wilberforce and Child

Mrs. William Wilberforce and Child
Creator:
John Linnell, 1792–1882
Date:
1824
Materials & Techniques:
Watercolor, gouache, graphite, and scored gesso ground on panel
Dimensions:
Sheet: 14 x 10 1/4 inches (35.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. London Cries: A Fishmonger

London Cries: A Fishmonger
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Children with Pig at a Doorway in Ballynahinch, Ireland

Children with Pig at a Doorway in Ballynahinch, Ireland
Creator:
Sir David Wilkie, 1785–1841
Date:
1835
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Donnybrook Fair

Donnybrook Fair
Creator:
Francis Wheatley, 1747–1801
Date:
1788
Materials & Techniques:
Watercolor with black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/8 x 23 1/2 inches (41.6 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. A Village Snow Scene

A Village Snow Scene
Creator:
Robert Hills, 1769–1844
Date:
1819
Materials & Techniques:
Watercolor and gouache over graphite with scraping out on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 16 15/16 inches (32 x 43.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Mother and Infant

Mother and Infant
Creator:
James Ward, 1769–1859
Date:
ca. 1798
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Bathing Machine on the Common, near Southsea Castle

Bathing Machine on the Common, near Southsea Castle
Creator:
John Nixon, ca. 1760–1818
Date:
1788
Materials & Techniques:
Watercolor, pen, and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 5/8 inches (12.1 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Girl Playing with Coal

Girl Playing with Coal
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige card
Dimensions:
Mount: 6 9/16 x 7 7/16 inches (16.7 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Baby Girl with Doll, Watching Chick

Baby Girl with Doll, Watching Chick
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige card
Dimensions:
Mount: 8 3/4 x 8 3/4 inches (22.2 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Four O'Clock in the Country

Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1788 and 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Visitors Being Shown the Baby

The Visitors Being Shown the Baby
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 x 6 1/16 inches (10.6 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Lincoln Cathedral

Lincoln Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Flight into Egypt

Flight into Egypt
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Gray ink, gray wash, watercolor, black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 7 1/2 inches (23.5 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

32. Group of English Children: Distant View of St. Paul's

Group of English Children: Distant View of St. Paul's
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 4 1/8 inches (12.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Wooded Landscape with Figures

Wooded Landscape with Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1788
Materials & Techniques:
Black chalk and stumping, with touches of white and red chalk, gray and brown wash, heightened with gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Wooded Landscape with Figures outside a Cottage Door

Wooded Landscape with Figures outside a Cottage Door
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1775 and 1780
Materials & Techniques:
Gray wash with pen and gray ink, heightened with white on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 13 1/2 inches (23.8 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Country Lane with Gypsies Resting

Country Lane with Gypsies Resting
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1760 and 1765
Materials & Techniques:
Watercolor and gouache over graphite and black chalk; verso: graphite on moderately thick, moderately textured, cream prepared wove paper
Dimensions:
Sheet: 11 1/4 x 9 1/4 inches (28.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Family Posed in Front of a Doorway

Family Posed in Front of a Doorway
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper, laid on thick, slightly textured, beige card
Dimensions:
Mount: 14 13/16 x 18 7/8 inches (37.7 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Antigonus Disposing of Perdita

Antigonus Disposing of Perdita
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:
Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection