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Materials & Techniques etching (printing process)

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Materials & Techniques mezzotint

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On-site Access Accessible by appointment in the Study Room

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Subject Terms architectural subject

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Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
Joseph Mallord William Turner Frontispiece
Etched by Joseph Mallord William Turner, 1775–1851
Frontispiece
1812
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner Young Anglers
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
Richard Earlom View of a Portico by the Side of a River, with Herdsmen and Cattle
Print made by Richard Earlom, 1743–1822
View of a Portico by the Side of a River, with Herdsmen and Cattle
1774
Richard Earlom View with several Vessels lying close to the Shore
Print made by Richard Earlom, 1743–1822
View with several Vessels lying close to the Shore
1774
Richard Earlom Scene of a Storm, with a Vessel Wrecked
Print made by Richard Earlom, 1743–1822
Scene of a Storm, with a Vessel Wrecked
1774
Richard Earlom Landscape with Ruins
Print made by Richard Earlom, 1743–1822
Landscape with Ruins
1817
Thomas Mann Baynes The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Print made by Thomas Mann Baynes, 1794–1854
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
after 1835
Sir Francis Seymour Haden Harlech, no. 2
Sir Francis Seymour Haden, 1818–1910
Harlech, no. 2
1880
Sir Francis Seymour Haden The Breaking Up of the Agamemnon, no. 2
Sir Francis Seymour Haden, 1818–1910
The Breaking Up of the Agamemnon, no. 2
after 1880
Richard Earlom View of a Sea Port
Print made by Richard Earlom, 1743–1822
View of a Sea Port
1774