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Credit Line Yale Center for British Art, Paul Mellon Fund

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On-site Access Accessible by appointment in the Study Room

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Vanessa Bell Design for Omega Workshops Fabric
Vanessa Bell, 1879–1961
Design for Omega Workshops Fabric
1913
Vanessa Bell Design for an Embroidered Stool
Vanessa Bell, 1879–1961
Design for an Embroidered Stool
undated
Francis Danby Chepstow Castle on the Wye
Francis Danby, 1793–1861
Chepstow Castle on the Wye
undated
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Francis Danby A Classical City
Francis Danby, 1793–1861
A Classical City
undated
John Constable Male Nude
John Constable, 1776–1837
Male Nude
1808
William Hogarth Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
1746
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner Paestum
Print made by Joseph Mallord William Turner, 1775–1851
Paestum
between 1820 and 1826
Joseph Mallord William Turner Ship in a Storm
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
Joseph Mallord William Turner Shields Lighthouse
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
Joseph Mallord William Turner Gloucester Cathedral
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
William Blake Rev. John Caspar Lavater (1787-1801)
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake Copy of the Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
George Romney Figure Composition Study 2
George Romney, 1734–1802
Figure Composition Study 2
undated
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
undated
George Romney Figure Composition Study 8
George Romney, 1734–1802
Figure Composition Study 8
undated
George Romney Figure Study 8
George Romney, 1734–1802
Figure Study 8
undated
George Romney Figure Composition Study 9
George Romney, 1734–1802
Figure Composition Study 9
undated
George Romney Male Head 1
George Romney, 1734–1802
Male Head 1
undated
George Romney Figure Composition Study 11
George Romney, 1734–1802
Figure Composition Study 11
undated
George Romney Figure Composition Study 12
George Romney, 1734–1802
Figure Composition Study 12
undated
George Romney Study of a Horse's Hooves
George Romney, 1734–1802
Study of a Horse's Hooves
undated
George Romney Figure Composition Study 13
George Romney, 1734–1802
Figure Composition Study 13
undated
George Romney Figure Composition Study 14
George Romney, 1734–1802
Figure Composition Study 14
undated
George Romney Figure Composition Study 16
George Romney, 1734–1802
Figure Composition Study 16
undated
George Romney Figure Composition Study 17
George Romney, 1734–1802
Figure Composition Study 17
undated
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Figure Composition Study 21 with a Face
George Romney, 1734–1802
Figure Composition Study 21 with a Face
undated
George Romney Figure Composition Study 22
George Romney, 1734–1802
Figure Composition Study 22
undated
George Romney Figure Composition Study 24
George Romney, 1734–1802
Figure Composition Study 24
undated
George Romney Landscape
George Romney, 1734–1802
Landscape
undated
George Romney Figure Composition Study 25
George Romney, 1734–1802
Figure Composition Study 25
undated
George Romney Figure Composition Study 26
George Romney, 1734–1802
Figure Composition Study 26
undated
George Romney Leaves 1
George Romney, 1734–1802
Leaves 1
undated
George Romney Study of a Cow
George Romney, 1734–1802
Study of a Cow
undated
George Romney Figure Composition Study 27
George Romney, 1734–1802
Figure Composition Study 27
undated
George Romney Figure Study 3
George Romney, 1734–1802
Figure Study 3
undated
George Romney Figure Composition Study 28
George Romney, 1734–1802
Figure Composition Study 28
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802
Figure Composition Study 29
undated
George Romney Study of Leaves 2
George Romney, 1734–1802
Study of Leaves 2
undated
George Romney Figure Composition Study 34
George Romney, 1734–1802
Figure Composition Study 34
undated