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Materials & Techniques pen

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Work Type watercolor

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William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Henry Pierce Bone The Sleepwalking Scene in Macbeth
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
unknown artist Mrs. Yates in the Character of Medea
unknown artist
Mrs. Yates in the Character of Medea
after 1771
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830