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Materials & Techniques brown ink

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Exhibition History Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)

Remove constraint Exhibition History: Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)

Image Use Free to Use

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Conway Castle
Creator:
Samuel Palmer, 1805–1881
Date:
1836
Materials & Techniques:
Graphite, watercolor, gouache and pen and brown ink on medium, smooth, brown wove paper on heavy card
Dimensions:
Sheet: 12 3/4 x 17 7/8 inches (32.4 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Drawing of the Clyde
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of Severn and Wye
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching, aquatint, and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ben Arthur, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink, First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside View of Tintern Abbey looking from the Nave to the East Window
Creator:
Thomas Sunderland, 1744–1828
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 10 5/8 inches (38.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Window of Tintern Abbey
Creator:
Thomas Sunderland, 1744–1828
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly texture, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Roslyn Castle - a wooded river landscape
Creator:
Thomas Peploe Wood, 1817–1845
Date:
1839
Materials & Techniques:
Brown wash with brown and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distant view of Llandrillo
Creator:
Moses Griffith, 1747–1819
Date:
1805
Materials & Techniques:
Watercolor over graphite; verso: graphite traced over with pen and brown ink on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 10 5/8 x 16 5/8in. (27 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cader Idris, North Wales
Creator:
Francis Nicholson, 1753–1844
Date:
undated
Materials & Techniques:
Watercolor, graphite, and white gouache with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 1/4 inches (14.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windermere at Sunset
Creator:
Francis Towne, 1740–1816
Date:
1786
Materials & Techniques:
Watercolor and brown ink over graphite on medium moderately textured cream laid paper
Dimensions:
Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake Windermere
Creator:
Francis Towne, 1740–1816
Date:
1786
Materials & Techniques:
Watercolor and brown and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 18 5/8 inches (15.6 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Lake Coniston, Lancashire
Creator:
Francis Towne, 1740–1816
Date:
1786
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 3/4 × 24 7/8 inches (32.4 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valle Crucis Abbey, Denbighshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preparatory sketch for 'Dr Syntax Sketching the Lake'
Creator:
Thomas Rowlandson, 1756–1827
Date:
1812
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windermere During the Regatta
Creator:
David Cox, 1783–1859
Date:
1832
Materials & Techniques:
Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Matlock High Tor, Derbyshire
Creator:
John Emes, 1762–1810
Date:
ca. 1786
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 12 1/2 inches (37 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mouth of the Cavern at Castleton in the Peak of Derby
Creator:
John White Abbott, 1763–1851
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stepping Stones on the River Duddon, Lake District
Creator:
Joseph Farington, 1747–1821
Date:
undated
Materials & Techniques:
Pen and brown ink, black ink, gray ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Waterfall in the Lake District
Creator:
Joseph Farington, 1747–1821
Date:
ca. 1782
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 24 1/8 × 18 9/16 inches (61.3 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shipping off Staffa
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1842
Materials & Techniques:
Watercolor, pen, brown ink, gray ink, black ink, gouache, gum, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 3/8 inches (31.1 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Goodrich Castle, Monmouthshire
Creator:
Hendrik Frans de Cort, 1742–1810
Date:
undated
Materials & Techniques:
Gray wash, brown wash, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 19 inches (27.3 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1834
Materials & Techniques:
Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection