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Materials & Techniques aquatint

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Creator Gender unknown

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Work Type intaglio print

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1. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
Creator:
unknown artist
Date:
1825
Materials & Techniques:
Aquatint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 24 5/8 inches (21 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham
Creator:
unknown artist
Date:
1796
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 × 31 1/8 inches (51.4 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 30 15/16 inches (52.1 × 78.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
after 1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. View of the Coronation Procession of George IV

View of the Coronation Procession of George IV
Creator:
unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. South Front of the Bank

South Front of the Bank
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Hand colored aquatint on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/8 × 15 1/16 inches (30.8 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Teignmouth

Teignmouth
Creator:
Print made by unknown artist
Date:
1836
Materials & Techniques:
Aquatint, Late state, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A North East View of the Tuesday Market Place of Lynn Regis

A North East View of the Tuesday Market Place of Lynn Regis
Creator:
Robert Pollard, 1755–1838
Date:
1797
Materials & Techniques:
Colored aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/16 × 26 9/16 inches (43.3 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Famous Lincolnshire Ox

The Famous Lincolnshire Ox
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 20 1/2 inches (43.2 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A View of St. Katharine's Dock in the Month of January, 1828

A View of St. Katharine's Dock in the Month of January, 1828
Creator:
unknown artist
Date:
1828
Materials & Techniques:
Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 3/16 × 27 7/8 inches (61.4 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Carlinan Mill, Iverary, Scotland

Carlinan Mill, Iverary, Scotland
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Colored aquatint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 21 1/2 inches (41.9 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Glen Crowe, Western Highlands, Scotland

Glen Crowe, Western Highlands, Scotland
Creator:
after unknown artist
Date:
1811
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 21 9/16 inches (43.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Visit to the Convent at Amiens

Visit to the Convent at Amiens
Creator:
unknown artist
Date:
1803
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 15/16 × 26 5/16 inches (48.1 × 66.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Changing Horses Near Clermont

Changing Horses Near Clermont
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Inn Yard at Calais

Inn Yard at Calais
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Buckingham Stairs Water Gate

Buckingham Stairs Water Gate
Creator:
unknown artist
Date:
1816
Materials & Techniques:
Hand colored aquatint on smooth, medium, beige wove paper
Dimensions:
Sheet: 5 3/16 × 7 1/4 inches (13.2 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. North Front of the Bank

North Front of the Bank
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 16 1/16 × 12 1/16 inches (40.8 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. On the Thames near Battersea

On the Thames near Battersea
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Returning from a Review...Paris

Returning from a Review...Paris
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Breakfast at Breteuil

Breakfast at Breteuil
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:
Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Bride, Paul and Virginia, the Chalees Satoon, East India

The Bride, Paul and Virginia, the Chalees Satoon, East India
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; hand coloring done by an unknown later printer on thick cream card
Dimensions:
Sheet: 5 1/4 × 10 9/16 inches (13.4 × 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Harwich

Harwich
Creator:
Charles Rosenberg, active 1828–1848
Date:
1841
Materials & Techniques:
Colored aquatint on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 9/16 × 26 1/2 inches (49.7 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Teignmouth

Teignmouth
Creator:
Print made by unknown artist
Date:
1836
Materials & Techniques:
aquatint, Late state, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. A Man of the Tuda Race

A Man of the Tuda Race
Creator:
Print made by unknown artist
Date:
1844
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 5 1/2 inches (23.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

32. A River Scene

No cover image available
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Aquatint and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 10 3/4 inches (26.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

33. Shaftesbury House, Aldersgate Street

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint on smooth, medium, white laid paper
Dimensions:
Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Three Swords

No cover image available
Creator:
Print made by unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 × 11 3/4 inches (48.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery.

No cover image available
Creator:
Print made by unknown artist
Date:
1827
Materials & Techniques:
Aquatint and etching with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 19 1/2 inches (38.4 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson