(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
2
Sir Richard Westmacott, 1775–1856
Interior of Lancaster House
undated
3
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
4
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
5
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
6
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
7
Gangaram Chintaman Tambat, active 1790s
Faria Bagh near Ahmednagar
between 1790 and 1796
8
Gangaram Chintaman Tambat, active 1790s
Temple Entrance, Ellora
undated
9
Gangaram Chintaman Tambat, active 1790s
The Upper Story of Jagannatha Sabha
undated
10
Gangaram Chintaman Tambat, active 1790s
Front View of Teen Talpumsorth
undated
11
Gangaram Chintaman Tambat, active 1790s
Jagannatha Sabha
undated
12
Gangaram Chintaman Tambat, active 1790s
Outside View of Indus Sabha
undated
13
Gangaram Chintaman Tambat, active 1790s
Bhurt Chullenghan
undated
14
Gangaram Chintaman Tambat, active 1790s
Exterior View of Keylas (Kailasanatha)
ca. 1795
15
Gangaram Chintaman Tambat, active 1790s
Ekvera
undated
16
Gangaram Chintaman Tambat, active 1790s
A Suttee Monument
undated
17
Gangaram Chintaman Tambat, active 1790s
Interior of Viswakarma
undated
18
Gangaram Chintaman Tambat, active 1790s
Paraswa Rama Sabha
undated
19
Charles Heathcote Tatham, 1772–1842
Design for a Bookcase
undated
20
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
21
Attributed to William Alfred Delamotte, 1775–1863
Richmond Bridge
undated
22
Gangaram Chintaman Tambat, active 1790s
Inside View of Doomar Leyna
undated
23
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
24
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
25
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
26
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
27
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
28
James Moore, 1762–1799
Bungay Castle
1790
29
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
30
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
31
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
32
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
33
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
34
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
35
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
36
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
37
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
38
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
39
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
40
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
41
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
42
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
43
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
44
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
45
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
46
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style